Objects do not depend on the concepts we have of them.
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p.5Carlos Gershenson
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Carnap calls such concepts as point, straight line, etc., which are given by implicit definitions, improper concepts. Their peculiarity rests on the fact that they do not characterize a thing by its properties, but by its relation to other things. Consider for example the concept of the last car of a train. Whether or not a particular car falls under this description does not depend on its properties but on its position relative to other cars. We could therefore speak of relative concepts, but would have to extend the meaning of this term to apply not only to relations but also to the elements of the relations.
Hans Reichenbach
He transforms all concepts into incommunicable, solidified objects. To refute him is to become contaminated with unreality.
Jorge Luis Borges
Minds differ in the vividness with which they recall the elements of previous experience, and mentally see the absent objects; they differ also in the aptitudes for selection, abstraction, and recombination: the fine selective instinct of the artist, which makes him fasten upon the details which will most powerfully affect us, without any disturbance of the harmony of the general impression, does not depend solely upon the vividness of his memory and the clearness with which the objects are seen, but depends also upon very complex and peculiar conditions of sympathy which we call genius.
George Henry Lewes
Just as the witticism brings two very different real objects under one concept, the pun brings two different concepts, by the assistance of accident, under one word.
Arthur Schopenhauer
We are saddled with a culture that hasn't advanced as far as science. Scientific man is already on the moon, and yet we are still living with the moral concepts of Homer. Hence this upset, this disequilibrium that makes weaker people anxious and apprehensive, that makes it so difficult for them to adapt to the mechanism of modern life. ... We live in a society that compels us to go on using these concepts, and we no longer know what they mean. In the future — not soon, perhaps by the twenty-fifth century — these concepts will have lost their relevance. I can never understand how we have been able to follow these worn-out tracks, which have been laid down by panic in the face of nature. When man becomes reconciled to nature, when space becomes his true background, these words and concepts will have lost their meaning, and we will no longer have to use them.
Michelangelo Antonioni
Gershenson, Carlos
Gershwin, George
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