There is no foundational mathematical or physical reason the relationship between Pythagorean and tempered western music should exist. It just does. The rich flexibility of the tempered scale and the ... bountiful archives of western music are a testimonial to this wonderful coincidence provided by nature.
Robert J. Marks
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When you see anyone complaining
of such and such a person's ill-nature and bad temper,
know that the complainant is bad-tempered,
forasmuch as he speaks ill of that bad-tempered person,
because he alone is good-tempered who is quietly forbearing
towards the bad-tempered and ill-natured.Jalal al-Din Muhammad Rumi
Modern war has occurred primarily in the Western culture. Western culture is short-tempered in a sense, always resorting to showdowns with weapons. It originated in the cold North with hunters who killed to eat and then moved on. The tradition of Vikings and pirates is strong in Western culture, and when Western culture moves into a new territory it is accompanied by rifles and guns. You don't like to hear this because you are Westerners, but someone must wake you up.
Sun Myung Moon
It is my strong feeling that a romantically inspired contemporary music, tempered by reinvigorated classical technical formulas, is the way out of the present period of creative chaos in music... To me, the romantic spirit in music is important because it is timeless.
David Diamond
I'm becoming very interested in non-Western things, and in Europe a lot of what's offered to me is the Western tradition I've grown up with. Now I've got to find a way out, but the problem is that the piano is just about as Western as you can get. The piano's my instrument, and I wouldn't want it any other way, but I'm gravitating quite naturally towards things that have developed my sense of rhythm. "I've come to all this incredible Indian classical music and its more modern formations late in the day; the Messiaen I've played has led me down that road, and I've been following my nose all the time.
Joanna MacGregor
The crucial and monumental development in the art music of our century has been the qualitative change in the foundational premises of our musical language--the change from a highly chromaticized tonality whose principle functions and operations are still based on a limited selection, the seven notes of the diatonic scale, from the universal set of twelve pitch classes to a scale that comprehends the total pitch-class content of that universal set. We can point to the moment of that change with some precision. It occurs most obviously in the music of Scriabin and the Vienna circle, Schoenberg, Webern, and Berg, in 1909-1910, and very soon afterwards, though less obviously, in the music of Bartok and Stravinsky. I think it is safe to say that nothing of comparable signifigance for music has ever occurred, because the closing of the circle of fifths gives us a symmetrical collection of all twelve pitch classes that eliminates the special structural function of the perfect fifth itself, which has been the basis of every real musical system that we have hitherto known.
George Perle
Marks, Robert J., II
Marlantes, Karl
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