Gloria Estefan

[As of November 17, 2006] 'Noelle's Treasure Tale' has remained at No. 3 on the New York Times children's best seller list since its October 10 release.

A woman's exterior beauty is a reflection of her internal peace and happiness.

I had gone to Miami Children's [Hospital] to do a book reading for my "Noelle" book, and they [staff at The Brain Institute] introduced me to this project that they had. And it so beautifully coincides with my spinal cord research -- my Miami Project [to cure spinal paralysis] pet charity -- because, as you know, I was paralyzed and in a wheelchair. So, I want to be there for that cure. It makes me happy. I really feel privileged to be of service. From the day I can remember, you know -- as far back as I can remember in my memory --I wished to be of service in some way.

A lot of the people who live here [Miami] are island people -- from Cuba, Haiti. People are very vibrant, and color is important living here. You're inspired every day by the sun, the sky, the landscape, the lushness. [Artist Romero Britto's] painting and artwork reflect that.

There is still a Castro in [Cuba]. And I think the status quo will not change until [Fidel] moves to the great beyond. [However,] Raul Castro [recently installed as president of Cuba] is a more open-minded guy [than Fidel]. [Raul] lives a more capaitalistic lifestyle. And he has been somewhat more open with the press and allowing the sudents to speak up. But the reality is that he won't do much until Fidel is gone.

Because they were idiots!

I thought it would be lovely to use [pet bulldog] Noelle as an example to teach the importance of being who you are. For me it's important to inspire children in a positive way, and at times they understand more messages through entertainment than when one is talking to them directly.

I'm looking forward, though, one day, if I'm not too old, to do a free concert in a free Cuba. That to me would be fantastic. We're looking forward to it. Well, hopefully, I mean he's [Castro] gotta go [die] sometime. He's gotta go sometime -- let's hope it's sooner [rather] than later.

I make the best pancakes you'll ever have! And I claim that title gladly. On Saturdays I make them for everybody.

When I did "Unwrapped" -- that's one of my favorite albums I've ever done in my life -- I love it when someone listens to the whole album. But I would rather them be able to buy some songs that they like, [rather] than not buy the album at all . . . . You can't fight technology. You can't fight, you know, the consumer.

We are trying to celebrate in the new album -- 90 Miles [coming out in the summer of 2007] is the fact that after almost 50 years our homeland [Cuba] is not ours. We have amazing musicians on board preparing this album, and some continue to come on board. It's all new music we've wriiten - all new stuff . . . No relaxing for me . . . I've got the Connie Francis screenplay I'm working on, which we just finished. We have a producer . . . I've got to meet the director that I'm going to go hammer . . . I've been working on it since 2000 with Connie Francis, who is darling. Plus, I'm a mommy . . . I take her [12-year-old Emily] to games, take her to school, pick her up . . . We're women, we're used to [constantly juggling responsibilities].

For the past 32 years of our career our position against the Castro regime has been crystal clear. We have mainatained this position with Presidents, Royality in several countries, Pope Joh Paul and anyone who has broached the subject of Cuba with us. Even when it would have been easier to stay silent, we have expressed our disagreement with the Cuban dictatorship and have spoken worldwide of the pain of the Cuban people. We have never nor would we ever collaborate with anyone who supports the Cuban dictatorship or Che Guevara. This should be apparently clear due to our trajectory.

The only difference [between promoting a book and a CD] is when I do the readings. My fans are out there in full force, but it's nice to have all the kids there as well. I really love this evolution of writing. Writing is my core, and writing the book was like writing a really long love song. I have 31 pages to elaborate instead of three minutes. And my target audience, although it is children, I don't talk down to them. I want the parents to find it interesting. [Children] sit in my lap. I love it. I've always tried to turn an arena into an intimate setting. So, if I'm already in an intimate setting . . . You get to talk to a few hundred people, and you get to really bring them in, to have an exchange with them that often doesn't occur on the stage.

Music should always be a means of bridging gaps and uniting people. The beauty of music is that it can -- and should -- gather a wide variety of concepts in a way that's universal.

The music is one of the beautiful things that has survived the Castro regime. I have played for audiences all over the world but I've never played for a Cuban audience. For [husband] Emilio and me, the music is the one tie to our homeland.

I'm singing the hardest song [the national anthem] you could possibly sing at this hour of the morning [8 a.m.]. [I came from Cuba] when I was sixteen months old, although I didn't become a citizen until I was actually about 9 or 10 years old [1966-67]. I had to leave the country to become a citizen, because we had to go to Canada -- and I'll never forget that trip as long as I live. But it was very important for me then, and for them [new citizens] today, What more special day can you have: July 4th in the American Mecca. It doesn't get better than that for them. Well, I'll tell you this -- and I can base it on my own feelings. The beauty of this country is that you can become a citizen of this wonderful nation, and still keep who you are: your culture, your lifestyle. It's a melting pot that allows you not to melt if you don't want to. And it's a wonderful place. I love this country. I really admire it: its ideals, the freedom, the things it stands for. As an immigrant that came from a country that doesn't have those freedoms and still doesn't have them -- which is Cuba -- it's much more special to me: To be able to live here and to be able to have the life that I do in this country.

The script [for the movie based on the life of singer Connie Francis -- "Who's Sorry Now?"] is finished and is in the hands of several artists to see if somebody wants to film at the start of.

We spent all our time lighting candles in the churches and praying for father's safe return. But even then [1961 and 1962], as a little girl, I knew that he was really in prison and that God had nothing to do with it. Since then I have never had any belief in religion.

[I] grew up in this city [Miami], and my music is a blend of two cultures. In the beginning it was heavily Cuban. At this point it's [from] all over . . .

I left Cuba when I was two years old. They took away my country, they stole the most intimate thing a human being can have. How could I forget that Fidel Castro was the person who did me so much harm?