The script [for the movie based on the life of singer Connie Francis -- "Who's Sorry Now?"] is finished and is in the hands of several artists to see if somebody wants to film at the start of.
--
eluniveral.com.mx (December 9, 2005)Gloria Estefan
» Gloria Estefan - all quotes »
I've got a producer [for bio pic on singer Connie Francis' life] . . . . We're almost there.
Gloria Estefan
Saving Silverman is so bad in so many different ways that perhaps you should see it, as an example of the lowest slopes of the bell-shaped curve. This is the kind of movie that gives even its defenders fits of desperation. Consider my friend James Berardinelli, the best of the Web-based critics. No doubt 10 days of oxygen deprivation at the Sundance Film Festival helped inspire his three-star review, in which he reports optimistically, "Saving Silverman" has its share of pratfalls and slapstick moments, but there's almost no flatulence." Here's a critical rule of thumb: You know you're in trouble when you're reduced to praising a movie for its absence of fart jokes, and have to add "almost"... as for Neil Diamond, Saving Silverman is his first appearance in a fiction film since The Jazz Singer, and one can only marvel that he waited 20 years to appear in a second film, and found one even worse than his first one.
Roger Ebert
We are trying to celebrate in the new album -- 90 Miles [coming out in the summer of 2007] is the fact that after almost 50 years our homeland [Cuba] is not ours. We have amazing musicians on board preparing this album, and some continue to come on board. It's all new music we've wriiten - all new stuff . . . No relaxing for me . . . I've got the Connie Francis screenplay I'm working on, which we just finished. We have a producer . . . I've got to meet the director that I'm going to go hammer . . . I've been working on it since 2000 with Connie Francis, who is darling. Plus, I'm a mommy . . . I take her [12-year-old Emily] to games, take her to school, pick her up . . . We're women, we're used to [constantly juggling responsibilities].
Gloria Estefan
The perception of you is one thing. You're this famous person, and now you're this famous person who's a bombshell. So all of a sudden, that's the only way I get jobs. So I have to become the part. And they're telling you this is the way to do it. One director actually said to me, "I want to hear you talk dumber and faster." ... He thought it was funny for the girl to be dumb. I finally said, "That's it, man — I can't do this anymore." I'd go to meetings during the filming of a movie, and the directors would ask, "What do you think of the script?" I'd say, "It has a lot of problems." They were confused. That's not what they wanted from me. ... So I was not very popular. At one point I said, "I don't want to do this — it's not my dream." And so I said, "I'm going to start a company. I am going to create projects for me. I'm going to create projects for other Latin women." Because I got to a point where I was whining all the time. I was miserable. I was desperate
Salma Hayek
After Ciao! Manhattan she came back to the Factory and we tried to make a movie with her, Warhol and I, but we just wiped our hands of her, there was nothing we could do with her. How many times can you tell a person to stop doing something without really getting bored with it? I'd never seen Warhol walk away from his camera in a fit of just absolute, abject disgust but during that filming, a little movie of his called Edie and Ondine he just said, "Stop, I won't film anymore." He said "this is disgusting, just absolutely disgusting." She was so full of self-pity and so humble and so everything else it was just awful, it was horrible, intolerable.
Edie Sedgwick
Estefan, Gloria
Estienne, Henri
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z