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Eddie Izzard

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Agatha Christie? We go back years, me and Ag. She's a … she's just a … she's dead, isn't she?

 
Eddie Izzard

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Stout was almost as witty as Raymond Chandler. His detective had splendid putdown lines almost as good as Sir Arthur Conan Doyle. And his mysteries were constructed a lot more smoothly than Agatha Christie's. But you do not expect Chandlerian wit from Conan Doyle, or Conan Doyle's superbly breathless sense of atmosphere and melodrama from Christie, or Christie's scathingly clear, unblinking vision of the monstrous crimes that average human nature is capable of all from the same pen. Stout gives you all of it. He is the Willie Mays or Derek Jeter of the mystery genre: a brilliant all-rounder more talented in each area than any single writer should ever dream of being.

 
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When Stout is on top of his game, which is most of the time, his diabolically clever plotting and his storytelling ability exceed that of any other mystery writer you can name, including Agatha Christie, who invented her own eccentric genius detective, Hercule Poirot.

 
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My Aunt Agatha, for instance, is tall and thin and looks rather like a vulture in the Gobi desert, while Aunt Dahlia is short and solid, like a scrum half in the game of Rugby football. In disposition, too, they differ widely. Aunt Agatha is cold and haughty, though presumably unbending a bit when conducting human sacrifices at the time of the full moon, as she is widely rumoured to do, and her attitude towards me has always been that of an austere governess, causing me to feel as if I were six years old and she had just caught me stealing jam from the jam cupboard: whereas Aunt Dahlia is as jovial and bonhomous as a dame in a Christmas pantomime.

 
P. G. Wodehouse
 

I turned to Aunt Agatha, whose demeanour was now rather like that of one who, picking daisies on the railway, has just caught the down express in the small of the back.

 
P. G. Wodehouse
 

Ay, gather your petals and take them back
To the dead heart under the dew;
And crown it again with the red love bloom,
For the dead are always true.

 
Voltairine de Cleyre
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