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Dante Gabriel Rossetti

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A Sonnet is a moment's monument,—
Memorial from the Soul's eternity
To one dead deathless hour.
--
Introductory Sonnet.

 
Dante Gabriel Rossetti

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Character is the entity, the individuality of the person, shining from every window of the soul, either as a beam of purity, or as a clouded ray that betrays the impurity within. The contest between light and darkness, right and wrong, goes on; day by day, hour by hour, moment by moment, our characters are being formed, and this is the all-important question which comes to us in accents ever growing fainter as we journey from the cradle to the grave, "Shall those characters be good or bad?"

 
William Jennings Bryan
 

At the following morning, when the first citizens started walking around, he was found dead. So died the poor and brave Antτnio da Silva Marramaque who, at the age of 18, dreamed with the glories of poetry and was now murdered due his great soul and brave moral! He didn't compose any sonnet and, if he did, he composed bad ones. But, by his way, he was a hero and a poet... that God bless him!

 
Lima Barreto
 

… the true eternity does not lie behind either/or, but before it … to bring forth this true eternity requires a determination of will … A religiously developed person makes a practice of referring everything to God, of permeating and saturating every finite relation with the thought of God, and thereby consecrating and ennobling it. … When around one everything has become silent, solemn as a clear, starlit night, when the soul comes to be alone in the whole world, then before one there appears, not an extraordinary human being, but the eternal power itself, then the heavens open, and the I chooses itself or, more correctly, receives itself. Then the personality receives the accolade of knighthood that ennobles it for an eternity. … It is an earnest and significant moment when a person links himself to an eternal power for an eternity, when he accepts himself as the one whose remembrance time will never erase, when in an eternal and unerring sense he becomes conscious of himself as the person he is. And yet one can refrain from doing it! … The crux of the matter, then, is the energy by which I become ethically conscious, or, more correctly, I cannot become ethically conscious without energy. Therefore, I cannot become ethically conscious without becoming conscious of my eternal being. This is the true demonstration of the immortality of the soul. It is fully developed, of course, only when the task is congruent with the duty, but that to which I am duty-bound for an eternity is an eternal task. ... The knight will have the power to concentrate the conclusion of all his thinking into one act of consciousness. If he lacks this focus, his soul is dissipated in multiplicity from the beginning, and he will never find the time to make the movement; he will continually be running errands in life and will never enter into eternity, for in the very moment he approaches it, he will suddenly discover something and therefore must go back. In the next moment he thinks, it will be possible, and this is quite true, but with such observations one will never come to make the movement but with their help will sink deeper and deeper into the mire. … wishing to be in the wrong is an expression of an infinite relationship, and wanting to be in the right, or finding it painful to be in the wrong, is an expression of a finite relationship! Hence, it is upbuilding always to be in the wrong-because only the infinite builds up; the finite does not!

 
Soren Aabye Kierkegaard
 

I think the destiny of all men is not to sit in the rubble of their own making but to reach out for an ultimate perfection which is to be had. At the moment, it is a dream. But as of the moment we clasp hands with our neighbor, we build the first span to bridge the gap between the young and the old. At this hour, it’s a wish. But we have it within our power to make it a reality. If you want to prove that God is not dead, first prove that man is alive.

 
Rod Serling
 

My sonnet asserts that the sonnet still lives. My epic, should such fortune befall me, asserts that the heroic narrative is not lost — that it is born again.

 
James Fenton
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