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"Demonic activity levels? Do they have a device that measures whether the demons inside the house are doing power yoga?"
--
Simon to Clary, pg. 340

 

Cassandra Clare

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If you will take the trouble to consult your dictionary, you will find that demons may be either good or bad, like any other class of beings. Originally all demons were good, yet of late years people have come to consider all demons evil. I do not know why. Should you read Hesiod you will find he says:
'Soon was a world of holy demons made,
Aerial spirits, by great Jove designed
To be on earth the guardians of mankind.' "
"But Jove was himself a myth," objected Rob, who had been studying mythology.
The Demon shrugged his shoulders.
"Then take the words of Mr. Shakespeare, to whom you all defer," he replied. "Do you not remember that he says:
'Thy demon (that's thy spirit which keeps thee) is
Noble, courageous, high, unmatchable.' "
"Oh, if Shakespeare says it, that's all right,' answered the boy."

 

L. Frank Baum

 

"They can't be worse than vampires. And you did all right with them."
"Did all right with them? By which I take it you mean we survived?"
"Well. . ."
"Faeries," Jace went on, as if Simon hadn't spoken, "are the offspring of demons and angels, with the beauty of angels and the viciousness of demons. A vampire might attack you, if you enter its domain, but a faerie could make you dance until you died with your legs ground into stumps, trick you into a midnight swim and drag you screaming underwater until your lungs burst, fill your eyes with faerie dust until you gouged them out at the roots-"
"Jace!" Clary snapped.

 

Cassandra Clare

 

"She was afraid you'd freak out? Start seeing demons in the White House?"

 

Cassandra Clare

 

"If I could just get a nuclear device inside Foggy Bottom, I think that's the answer." (talking about the United States State Department)

 

Pat Robertson

 

"This sucks on so many levels." — Dialogue from "Jason X" Rare for a movie to so frankly describe itself. "Jason X" sucks on the levels of storytelling, character development, suspense, special effects, originality, punctuation, neatness and aptness of thought.

 

Roger Ebert