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Walter Scott

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The way was long, the wind was cold,
The Minstrel was infirm and old;
His withered cheek, and tresses gray,
Seemed to have known a better day.
--
Introduction

 
Walter Scott

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A woman materialises behind Prospero -- leaning lightly on the back of his chair -- she is alternately a Titianesque nude and then the Vesalius figure -- flayed ... she leans lightly over and kisses Prospero on the cheek. The kiss leaves a blood-red mark on his withered cheek. Prospero shivers.

 
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Summer fog. It leached all color and substance from the world, leaving only grays. Lead gray tombstone gray cobweb gray ash gray snot gray dust gray corpse gray. It was unheard-of that there be fog at this time of the year, late August. So it had to be another portent — as dire a one as the death of the One-Handed Warrior. There were many who said that the fog had its origin in the supercooled ashes of the hero: each molecule of his scattered body accreting water vapor, each tiny relic drawing to itself the air's own tears to fashion this wide-spreading shroud over the Many-Colored Land.

 
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The place, with its gray sky and withered garlands, its bared spaces and scattered dead leaves, was like a theater after the performance — all strewn with crumpled playbills.

 
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Climb the steep Cold Mountain way
Roads to Cold Mountain are many and never ending
The valleys are long and deep, the peaks piled high
The streams are wide, the grass is thick
The moss is slippery though there is no rain
The pines sigh though there is no wind
Who can escape the snares of the world
And come to sit with me among the white clouds?

 
Han Shan
 

Once upon a time...
When the cold wind that blows,
when the cold wind that blows in my heart,
it was a summer breeze and she would meet me in Chinatown,
for opium and tea
and she always brought me flowers
but I spared you those old ballads
All those songs I couldn’t play
But every giro day she’d dress me like a lady boy
And take me high out of the way
Don’t let the horse chase the new deal away, no
If we make love in the morning
I see your eyes look like two marbles in your head

 
Peter Doherty
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