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Vladimir Nabokov

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Lolita is one of our finest American novels, a triumph of style and vision, an unforgettable work, Nabokov's best (though not most characteristic) work, a wedding of Swiftian satirical vigor with the kind of minute, loving patience that belongs to a man infatuated with the visual mysteries of the world.
--
Joyce Carol Oates in "A Personal View of Nabokov" in Saturday Review of the Arts (January 1973).

 
Vladimir Nabokov

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Some say the Great American Novel is Huckleberry Finn, some say it's The Jungle, some say it's The Great Gatsby. But my vote goes to the tale with the maximum lust, hypocrisy and obsession — the view of America that could only have come from an outsider — Nabokov's Lolita. ... Those who bought "Lolita" looking for mere prurient kicks must surely have been disappointed. Lolita is dark and twisted all right, but it's also a corruptly beautiful love story of two tragically alike, id-driven souls... What makes Lolita a work of greatness isn't that its title has become ingrained in the vernacular, isn't that was a generation ahead of America in fetishizing young girls. No, it is the writing, the way Nabokov bounces around in words like the English language is a toy trunk, the sly wit, the way it's devastating and cynical and heartbreaking all at once. Poor old Dolly Haze might not have grown up very well, but Lolita forever remains a thing of timeless beauty.

 
Vladimir Nabokov
 

All of Nabokov's books are about tyranny, even Lolita. Perhaps Lolita most of all.

 
Vladimir Nabokov
 

Following Nabokov's earlier excellent, offbeat novels (including Pnin, TIME, March 18, 1957), Lolita should give his name its true dimensions and expose a wider U.S. public to his special gift — which is to deal with life as if it were a thing created by a mad poet on a spring night.

 
Vladimir Nabokov
 

Seek, therefore, thyself! But in finding oneself, does not one find one's own nothingness? ...Carlyle answers (Past and Present, book iii, chap. xi.). "The latest Gospel in the world is, Know thy work and do it. Know thyself: long enough has that poor self of thine tormented thee; thou wilt never get to know it, I believe! Think it thy business, this of knowing thyself; thou art an unknowable individual: know what thou canst work at; and work at it, like Hercules. That will be thine better plan." ...and what is my work? — without thinking about myself, is to love God. ...And on the other hand, in loving God in myself, am I not loving myself more than God, am I not loving myself in God?

 
Miguel de Unamuno
 

At a very early stage I realised that it's a real problem to perform electronic music on stage because electronic instruments are not particularly convincing on a visual point of view: somebody behind his computer, it's not particularly visual. So I was inspired by the opera. And what was the opera in the 19th century? It was the idea for a musician to join and to work, to collaborate with a stage director, with carpenters, painters, people doing decors, graphic artists to have a visual prolongation, a visual correspondence to their work. That's what I tried to do with the tools of my generation: electronics and video and lights and all that.

 
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