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Samuel Taylor Coleridge

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Shakespeare is the Spinosistic deity — an omnipresent creativeness. Milton is the deity of prescience; he stands ab extra, and drives a fiery chariot and four, making the horses feel the iron curb which holds them in. Shakspeare's poetry is characterless; that is, it does not reflect the individual Shakspeare; but John Milton himself is in every line of the Paradise Lost. Shakspeare's rhymed verses are excessively condensed, — epigrams with the point every where; but in his blank dramatic verse he is diffused, with a linked sweetness long drawn out.
--
12 May 1830.

 
Samuel Taylor Coleridge

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Shakespeare, no mere child of nature ; no automaton of genius; no passive vehicle of inspiration possessed by the spirit, not possessing it; first studied patiently, meditated deeply, understood minutely, till knowledge became habitual and intuitive, wedded itself to his habitual feelings, and at length gave birth to that stupendous power by which he stands alone, with no equal or second in his own class ; to that power which seated him on one of the two glorysmitten summits of the poetic mountain, with Milton ?s his compeer, not rival. While the former darts himself forth, and passes into all the forms of human character and passion, the one Proteus of the fire and the flood ; the other attracts all forms and things to himself, into the unity of his own Ideal. All things and modes of action shape themselves anew in the being of Milton; while Shakspeare becomes all things, yet for ever remaining himself.

 
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I keep saying, Shakspeare, Shakspeare, you are as obscure as life is.

 
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I take unceasing delight in Chaucer. His manly cheerfulness is especially delicious to me in my old age. How exquisitely tender he is, and yet how perfectly free from the least touch of sickly melancholy or morbid drooping! The sympathy of the poet with the subjects of his poetry is particularly remarkable in Shakspeare and Chaucer; but what the first effects by a strong act of imagination and mental metamorphosis, the last does without any effort, merely by the inborn kindly joyousness of his nature. How well we seem to know Chaucer! How absolutely nothing do we know of Shakspeare!

 
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And do not think, my boy, that because I, impulsively broke forth in jubillations over Shakspeare, that, therefore, I am of the number of the snobs who burn their tuns of rancid fat at his shrine. No, I would stand afar off & alone, & burn some pure Palm oil, the product of some overtopping trunk. — I would to God Shakspeare had lived later, & promenaded in Broadway. Not that I might have had the pleasure of leaving my card for him at the Astor, or made merry with him over a bowl of the fine Duyckinck punch; but that the muzzle which all men wore on their soul in the Elizebethan day, might not have intercepted Shakspers full articulations. For I hold it a verity, that even Shakspeare, was not a frank man to the uttermost. And, indeed, who in this intolerant universe is, or can be? But the Declaration of Independence makes a difference.

 
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