Pearl Harbor is a two-hour movie squeezed into three hours, about how on December 7, 1941, the Japanese staged a surprise attack on an American love triangle. Its centerpiece is 40 minutes of redundant special effects, surrounded by a love story of stunning banality. The film has been directed without grace, vision, or originality, and although you may walk out quoting lines of dialog, it will not be because you admire them.
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Review of Pearl Harbor (25 May 2001)Roger Ebert
When reflecting upon it today, that the Pearl Harbor attack should have succeeded in achieving surprise seems a blessing from Heaven. It was clear that a great American fleet had been concentrated in Pearl Harbor, and we supposed that the state of alert would be very high.
Hideki Tojo
I was in Japan a couple of months ago, I saw a preview for the movie Pearl Harbor. And they showed the Japanese airplanes coming in to bomb Pearl Harbor, and I applauded. Nobody else in the theater applauded.
Bobby Fischer
"We are at a juncture today that really is more of a threshold, even more of a watershed, than the Japanese attack on Pearl Harbor was in 1941. We are currently in a war, but it is not a war on terrorism. In fact, that has been a great confusion, and the sooner we drop that term, the better. This would be like President Franklin Roosevelt saying in World War II, 'We are engaged in a war against kamikazes and blitzkrieg.' Like them, terrorism is a method, a tool, a weapon that has been used against us. And part of the reason we suffered such a horrific attack is that we were not prepared."
John Lehman
Dances With Wolves has the kind of vision and ambition that is rare in movies today. It is not a formula movie, but a thoughtful, carefully observed story. It is a Western at a time when the Western is said to be dead. It asks for our imagination and sympathy. It takes its time, three hours, to unfold. It is a personal triumph for Kevin Costner, the intelligent young actor of Field of Dreams, who directed the film and shows a command of story and of visual structure that is startling; this movie moves so confidently and looks so good it seems incredible that it's a directorial debut.
Roger Ebert
There is now all this patriotic indignation about the Japanese attack on Pearl Harbor and Japanese expansionism in Asia. Yet not a word about American and European expansionism in the same area.... We must make a start. We must renounce war as an instrument of policy.... Even as I speak to you I may be guilty of what some men call treason.... You young men should refuse to take up arms. Young women tear down the patriotic posters. And all of you — young and old — put away your flags.
Dorothy Day
Ebert, Roger
Ebner-Eschenbach, Marie von
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