The movie stars Michelle Pfeiffer as LouAnne Johnson... [h]er teaching methods are inventive. She bribes them with candy bars and free trips to amusement parks, and involves them in the words of that important poet, Bob Dylan (the Tambourine Man might have been a drug dealer!). Soon they're in the school library, finding connections between Bob Dylan and Dylan Thomas... [w]hat, exactly, will these disadvantaged inner-city kids accomplish by being bribed with candy bars and the "relevancy" of Bob Dylan? Can they read and write? Can they compete in the job market? An educational system that has brought them to the point we observe in the first classroom scene has already failed them so miserably that all of Miss Johnson's karate lessons are not going to be much help.
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Review of Dangerous Minds (11 August 1995)Roger Ebert
The minute you try to grab hold of Dylan, he's no longer where he was. He's like a flame: If you try to hold him in your hand you'll surely get burned. Dylan's life of change and constant disappearances and constant transformations makes you yearn to hold him, and to nail him down. And that's why his fan base is so obsessive, so desirous of finding the truth and the absolutes and the answers to him — things that Dylan will never provide and will only frustrate. ... Dylan is difficult and mysterious and evasive and frustrating, and it only makes you identify with him all the more as he skirts identity.
Bob Dylan
Reporter: How many people who labor in the same musical vineyard in which you toil - how many are protest singers? That is, people who use their music, and use the songs to protest the, uh, social state in which we live today: the matter of war, the matter of crime, or whatever it might be.
Bob Dylan: Um...how many?
Reporter: Yes. How many?
Bob Dylan: Uh, I think there's about, uh...136.
Reporter: You say about 136, or you mean exactly 136?
Bob Dylan: Uh, it's either 136 or 142.Bob Dylan
Dylan… said, "Both Becky and Kenny need medical attention—"
"And a prison cell until their social security kicks in," Jilly added.
"—but give us two or three minutes before you call 9-1-1," Dylan finished.
This instruction baffled Marj. "But you are 9-1-1."
Jilly fielded that peculiar question: "We're one of the ones, Marj, but we're not the other one or the nine."Dean R. Koontz
"The stage is the only place where I'm happy." But this has its own sadnesses, like so much love. He is the one person who has to be at a Dylan concert and the one person who can't go to a Dylan concert.
Bob Dylan
You always have to keep pushing to innovate. Dylan could have sung protest songs forever and probably made a lot of money, but he didn’t. He had to move on, and when he did, by going electric in 1965, he alienated a lot of people. His 1966 Europe tour was his greatest…. The Beatles were the same way. They kept evolving, moving, refining their art. That’s what I’ve always tried to do — keep moving. Otherwise, as Dylan says, if you are not busy being born, you’re busy dying.
Steve Jobs
Ebert, Roger
Ebner-Eschenbach, Marie von
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