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Robertson Davies

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But not to be acquainted with what is happening in literary France is to feel disgraced, and in the pecking order of literary criticism a Frenchman can humiliate an Englishman just as readily as an Englishman can humiliate an American, and an American a Canadian. One of Canada's most serious literary needs at present is some lesser nation to domineer over and shame by displays of superior taste.

 
Robertson Davies

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A Frenchman, thinking to be highly complimentary, said to Palmerston: "If I were not a Frenchman, I should wish to be an Englishman"; to which Pam coolly replied: "If I were not an Englishman, I should be wish to be an Englishman."

 
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First one gets works of art, then criticism of them, then criticism of the criticism, and, finally, a book on The Literary Situation, a book which tells you all about writers, critics, publishing, paperbacked books, the tendencies of the (literary) time, what sells and how much, what writers wear and drink and want, what their wives wear and drink and want, and so on.

 
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There has died and been buried in this city, during the current week, at an advanced age, a man who is so little known, even by name, to the generation now in the vigor of life that only one newspaper contained an obituary account of him, and this was but of three or four lines. Yet forty years ago the appearance of a new book by Herman Melville was esteemed a literary event, not only throughout his own country, but so far as the English-speaking race extended. To the ponderous and quarterly British reviews of that time, the author of Typee was about the most interesting of literary Americans, and men who made few exceptions to the British rule of not reading an American book not only made Melville one of them, but paid him the further compliment of discussing him as an unquestionable literary force. Yet when a visiting British writer a few years ago inquired at a gathering in New-York of distinctly literary Americans what had become of Herman Melville, not only was there not one among them who was able to tell him, but there was scarcely one among them who had ever heard of the man concerning whom he inquired, albeit that man was then living within a half mile of the place of the conversation. Years ago the books by which Melville's reputation had been made had long been out of print and out of demand.

 
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A Frenchman is self-assured because he regards himself personally, both in mind and body, as irresistibly attractive to men and women. An Englishman is self-assured, as being a citizen of the best-organized state in the world, and therefore as an Englishman always knows what he should do and knows that all he does as an Englishman is undoubtedly correct. An Italian is self-assured because he is excitable and easily forgets himself and other people. A Russian is self-assured just because he knows nothing and does not want to know anything, since he does not believe that anything can be known. The German's self-assurance is worst of all, stronger and more repulsive than any other, because he imagines that he knows the truth — science — which he himself has invented but which is for him the absolute truth.

 
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