Ursula K. Le Guin
US-based author, known mostly for writing science fiction and fantasy.
He looked at the machine, its cabinets all standing open; it should be destroyed, he thought. But he had no idea how to do it, nor any will to try. Destruction was not his line; and a machine is more blameless, more sinless even than any animal. It has no intentions whatsoever but our own.
Have you never thought how danger must surround power as shadow does light?
All the mystery and wisdom of the Masters, when it’s out in the daylight, doesn’t amount to so much, you know. Tricks of the trade—wonderful illusions. But people don’t want to know that. They want the illusions, the mysteries. Who can blame them? There’s so little in life that’s beautiful or worthy.
To be an atheist is to maintain God. His existence or his nonexistence, it amounts to much the same, on the plane of proof. Thus proof is a word not often used among the Handdarata, who have chosen not to treat God as a fact, subject either to proof or to belief: and they have broken the circle, and go free.
To learn which questions are unanswerable, and not to answer them: this skill is most needful in times of stress and darkness.
Is it the gods who set this fire in our hearts, or do we each make our fierce desire into a god?
How could anybody think this man was sick? All right, so he had funny dreams. That was better than being plain mean and hateful, like about one quarter of the people she had ever met.
“But you knew them to be evil men—”
“Was I to join them therefore? To let their acts rule my own? I will not make their choices for them, nor will I let them make mine for me!”
One voice, speaking truth is a greater force than fleets and armies, given time; plenty of time.
The more defensive a society, the more conformist.
I have never found anywhere, in the domain of art, that you don't have to walk to. (There is quite an array of jets, buses and hacks which you can ride to Success; but that is a different destination.) It is a pretty wild country. There are, of course, roads. Great artists make the roads; good teachers and good companions can point them out. But there ain't no free rides, baby. No hitchhiking. And if you want to strike out in any new direction — you go alone. With a machete in your hand and the fear of God in your heart.
The Dyer backed away from him another step and stood watching him, the exaltation in his face clouding slowly over until it was replaced by a strange, heavy look; it was as if reasoning thought were laboring to break through the storm of words and feelings and visions that confused him. Finally he turned around without a word and began to run back down the road, into the haze of dust that had not yet settled on his tracks.
The hunger of a dragon is slow to wake, but hard to sate.
Those were men in whom great strength and knowledge served the will to evil and fed upon it. Whether the wizardry that serves a better end may always prove the stronger, we do not know. We hope.
What goes too long unchanged destroys itself.
It is good to have an end to journey towards; but it is the journey that matters, in the end.
He always asked, why thus? why this way, not another way? I answered: Because in what we do daily and in the way we do it, we enact the gods. He said: Then the gods are only what we do. I said: In what we do rightly, the gods are.
“We may suffer for it when the balance of things rights itself, but we do not lose hope and forego art and forget the words of the Making. Nature is not unnatural. This is not a righting of the balance, but an upsetting of it. There is only one creature who can do that.”
“A man?” Arren said, tentative.
“We men.”
“How?”
“By an unmeasured desire for life.”
“For life? But it isn’t wrong to want to live?”
“No. But when we crave power over life—endless wealth, unassailable safety, immortality—then desire becomes greed. And if knowledge allies itself to that greed, then comes evil. Then the balance of the world is swayed, and ruin weighs heavy in the scale.”
The trouble is that we have a bad habit, encouraged by pedants and sophisticates, of considering happiness as something rather stupid. Only pain is intellectual, only evil interesting. This is the treason of the artist: a refusal to admit the banality of evil and the terrible boredom of pain. If you can’t lick ’em, join ’em. If it hurts, repeat it. But to praise despair is to condemn delight, to embrace violence is to lose hold of everything else.
Legends of prediction are common throughout the whole Household of Man. God speaks, spirits speak, computers speak. Oracular ambiguity or statistical probability provides loopholes, and discrepancies are expunged by Faith.
To hear, one must be silent.