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Joseph Conrad

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What makes mankind tragic is not that they are the victims of nature, it is that they are conscious of it.
--
letter to Robert Cunninghame-Graham, January 1898, published in Frederick R Karl and Laurence Davies, eds., The Collected Letters of Joseph Conrad,, vol. 2, p. 30. ISBN 0521257484

 
Joseph Conrad

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To wake the soul by tender strokes of art,
To raise the genius, and to mend the heart;
To make mankind, in conscious virtue bold,
Live o'er each scene, and be what they behold:
For this the Tragic Muse first trod the stage.

 
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Our lives are more like fragmentary dreams than the enactments of conscious selves. We control very little of what we most care about; many of our most fateful decisions are made unbeknownst to ourselves. Yet we insist that mankind can achieve what we cannot: conscious mastery of its existence. This is the creed of those who have given up an irrational belief in God for an irrational faith in mankind.

 
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Ahab makes a great impression on his first appearance in Moby Dick... And if either by birth or by circumstance something pathological was at work deep in his nature, this did not detract from his dramatic character. For tragic greatness always derives from a morbid break with health, you can be sure of that.

 
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The truly tragic kind of suffering is the kind produced and defiantly insisted upon by the hero himself so that, instead of making him better, it makes him worse and when he dies he is not reconciled to the law but defiant, that is, damned. Lear is not a tragic hero, Othello is.

 
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Imagination, which is the social sense, animates the inanimate and anthropomorphizes everything; it humanizes everything and even makes everything identical with man. And the work of man is to supernaturalize Nature — that is to say, to make it divine by making it human, to help it to become conscious of itself, in short. The action of reason, on the other hand, is to mechanize or materialize.

 
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