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As a professional I practice six or seven hours per day, though it depends on my schedule. That's how it is as a musician. It's only when you reach grade five you take them more serious. Until then I saw it as fun. I used to learn them by play pop tunes on the piano. They have harmonies and broken chords and can be used as building blocks to help you with scales.

 

Joanna MacGregor

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The music has gotten thick. Guys give me tunes and they're full of chords. I can't play them...I think a movement in jazz is beginning away from the conventional string of chords, and a return to emphasis on melodic rather than harmonic variation. There will be fewer chords but infinite possibilities as to what to do with them.

 

Miles Davis

 

One thing I learned a long time ago was my fretboard, in terms of all the scales in all the positions...You have to learn it - there are no two ways about it. I shift between positions so easily now that I really don't have to think about them much...I would suggest starting your scale education with the major and minor scales, and after that, diminished, augmented and whole-tone. Then depending on what kind of music you want to play, the modes should be learned. My theory about this kind of thing is that you should learn it all. Once you've learned it you can play whatever you want to play, and i think that your playing will be more advanced, and you'll have a better understanding of the insstrument.

 

Al Di Meola

 

Rubinstein was wonderful. For three days he spent hours playing the piano in my room, and then asking me what I thought of this and that. After a while he told my mother that I had talent and he thought I should be a musician.

 

Arthur Rubinstein

 

Rest springs from strife and dissonant chords beget
Divinest harmonies.

 

Lewis Morris

 

… it's time for the opening lecture in Test Design 101: Consider: a woman claims to be a musician. You seat her at a piano and demand that she prove her claim. She cannot play the piano, and you conclude that her claim has been invalidated. Hardly. You see, the lady is a cellist….
You cannot challenge a claimant to do something they've never claimed they can do. That's why, at the JREF, we design a protocol only after the applicant has clearly stated (a) what they can do, (b) under what conditions, and (c) with what expected degree of success. And, the applicant must find the protocol appropriate, fair, agreeable, and adequate to prove their claim.

 

James Randi