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Jane Espenson

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Moonlighting was funny, innovative, genre-busting chaos. Also, apparently, unsustainable. Sigh.
--
Ain't It Cool News interview (17 July 2003)

 
Jane Espenson

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I think it's like all these relationships, like Mulder and Scully and Moonlighting, you know. Moonlighting jumped the shark when they got together, didn't it? I think you have to be very careful. Which doesn't mean to say that we don't see the relationship developing and becoming something that it maybe hasn't before. But I think you have to be very careful with those things.

 
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There have been a good many funny things said and written about hardupishness, but the reality is not funny, for all that. It is not funny to have to haggle over pennies. It isn't funny to be thought mean and stingy. It isn't funny to be shabby and to be ashamed of your address. No, there is nothing at all funny in poverty — to the poor.

 
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What is Bresson's genre? He doesn't have one. Bresson is Bresson. He is a genre in himself. Antonioni, Fellini, Bergman, Kurosawa, Dovzhenko, Vigo, Mizoguchi, Bunuel - each is identified with himself. The very concept of genre is as cold as the tomb. And is Chaplin - comedy? No: he is Chaplin, pure and simple; a unique phenomenon, never to be repeated. (p 150)

 
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