Moreau's figures are ambiguous; it is hardly possible to distinguish at the first glance which of two lovers is the man, which the woman; all his characters are linked by subtle bonds of relationship... lovers look as though they were related, brothers as though they were lovers, men have the faces of virgins, virgins the faces of youths; the symbols of Good and Evil are entwined and equivocally confused.
--
Mario Praz in The Romantic Agony (1930)Gustave Moreau
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Moreau, Gustave
Morell, Theodor
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