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Eugene J. Martin

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As have the Chinese and English Languages, Eugene has stripped his grammer to the naked bone, sinewed the simple frame, and created a rich vocabulary of meaning, sight and emotion. Yet, always there is discipline.
--
Thomas Stark, from E.J. Martin's website at , and

 
Eugene J. Martin

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Colonialism is a terrible bane for a people upon whom it is imposed, but a blessing for a language. English's drive to exploit the new and the alien, its zeal in robbing words from other languages, its incapacity to feel qualms over the matter, its museum-size overabundance of vocabulary, its shoulder-shrug approach to spelling, its don't-worry-be-happy concern for grammar—the result was a language whose colour and wealth Henry loved. In his entirely personal experience of [languages], English was jazz music, German was classical music, French was ecclesiastical music, and Spanish was music from the streets. Which is to say, stab his heart and it would bleed French, slice his brain open and its convolutions would be lined with English and German, and touch his hands and they would feel Spanish.

 
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You didn’t just part the Red Sea — you rolled it back, dried it up and left exposed, for all the world to see, the naked desert that is statism. And then, as if that weren’t enough, you gave the world something different, something in its weariness it desperately needed, the sound of laughter and the sight of the rich, green uplands of freedom.

 
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