Friday, April 26, 2024 Text is available under the CC BY-SA 3.0 licence.

Dylan Moran

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Would you please - stop - taking - pictures - on your tiny - annoying (whispering) f**king camera. This is happening to you in real time, you are having the experience. It's not much point to verify that you were at the event when you're actually here.
--
To an audience member

 
Dylan Moran

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It was on tiny wheels with a mount for the camera that put the lens about two feet above the ground. On it rode the camera operator and the assistant who changed the focus and that's all. Fred always wanted to keep the camera in as tight as possible, and they used to shoot with a 40 millimetre lens, which doesn't give you too much leeway. So every time Fred and Ginger moved toward us, the camera had to go back, and every time they went back, the camera went in. The head grip who was in charge of pushing this thing was a joy to watch. He would maintain a consistent distance, and when they were in the midst of a hectic dance that's quite a stunt.

 
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In practically every film you experience, you can see the director following the text. Illustrating the words first, making the pictures after, and, alas, so often not making pictures at all, but holding up the camera to do its mimetic worst.

 
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There are books that have devastated continents, destroyed thousands. What war hasn’t been a war of fiction? All the religious wars certainly, or the fiction of communism versus the fiction of capitalism – ideas, fictions, shit that people make. They have made a vast impression on the real world. It is the real world. Are thoughts not real? I believe it was Wittgenstein who said a thought is a real event in space and time. I don’t quite agree about the space and time bit, Ludwig, but certainly a real event. It’s only science that cannot consider thought as a real event, and science is not reality. It’s a map of reality, and not a very good one. It’s good, it’s useful, but it has its limits. We have to realise that the map has its edges. One thing that is past the edge is any personal experience. That is why magic is a broader map to me, it includes science. It’s the kind of map we need if we are to survive psychologically in the age that is to come, whatever that is. We need a bigger map because the old one is based on an old universe where not many of us live anymore. We have to understanding what we are dealing with here because it is dangerous. It kills people. Art kills.

 
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You know, people come in here with their f**king camera phones - everything’s a camera nowadays; you pick up a piece of fruit, it takes a picture of you. Or the computers which are everywhere which is proof that we like to be watched. That what we’ve replaced God with, technology! We’re f**king afraid to be alone, in a lift, in a taxi cab, we need cameras everywhere recording us unless we realise we’re alone, we might do something scary... like whimper, I don’t know!

 
Dylan Moran
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