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Winston Churchill

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I cannot forecast to you the action of Russia. It is a riddle wrapped in a mystery inside an enigma: but perhaps there is a key. That key is Russian national interest.
--
BBC broadcast (“The Russian Enigma”), London, October 1, 1939 (partial text).

 
Winston Churchill

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Every human life involves an unfathomable mystery, for man is the riddle of the universe, and the riddle of man is his endowment with personal capacities. The stars are not so strange as the mind that studies them, analyzes their light, and measures their distances.

 
Harry Emerson Fosdick
 

Every artist works within a tradition. I am a native of Russia. My Russian soul has always been close to the art of old Russia, the Russian icons, Byzantine art, the mosaics in Ravenna, Venice, Rome, and to Romanesque art. All these artworks produced a religious vibration in my soul, as I sensed in them a deep spiritual language. This art was my tradition.

 
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Russia has made its choice in favor of democracy. Fourteen years ago, independently, without any pressure from outside, it made that decision in the interests of itself and interests of its people — of its citizens. This is our final choice, and we have no way back. There can be no return to what we used to have before. And the guarantee for this is the choice of the Russian people, themselves. No, guarantees from outside cannot be provided. This is impossible. It would be impossible for Russia today. Any kind of turn towards totalitarianism for Russia would be impossible, due to the condition of the Russian society.

 
Vladimir Putin
 

Far back in history, there is evidence that men who have attempted to solve the riddle of water have been bitterly attacked. Every attempt to explain the nature of water in old books has been demolished in the later editions. In any case, maintaining the sense of mystery about water ensures the prosperity of the capital intensive economy, for financial interest thrives only on a defective economy. If the riddle surrounding the origins of water were solved, it would be possible to make as much pure water available as required at any location; in this way vast areas of desert would become fertile. As a consequence, the selling values of the produce would sink so low that there would be no more incentive to speculate, or to develop agricultural machinery. The concept of unrestricted production and cheap machine power is so revolutionary, that the way of life all over the world would experience a change. Maintaining the mystery of water, therefore, maintains the value of capital, so every attempt to come nearer to an explanation is attacked.

 
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If Russian painters were condemned to become the pupils of the West they were, I think, rather unfaithful ones by their very nature. The best Russian realist conflicts with the realism of Courbet. The most authentic Russian Impressionism leaves on perplexed if one compares it with Monet and Pisarro. Here, in the Louvre, before the canvases of Manet, Millet and others, I understood why my alliance with Russia and Russian art did not take root. Why my language itself is foreign to them. Why people do not place confidence in me. Why the artistic circles fail to recognize me. Why in Russia I am entirely useless.. ..In Paris, it seemed to me that I was discovering everything, above all a mastery of technique.. ..It was not in technique alone that I sought the meaning of art then. It was as if the gods had stood before me.. ..I had the impression that we are still only roaming on the surface of matter, that we are afraid to plunge into chaos, to shatter and overthrow beneath our feet the familiar surface. (on his arrival in Paris in 1910, fh)

 
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