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Beginning Beloved with numerals rather than spelled out numbers, it was my intention to give the house an identity separate from the street or even the city... Numbers here constitute an address, a thrilling enough prospect for slaves who had owned nothing, least of all an address. And although the numbers, unlike words, can have no modifiers, I give these an adjective — spiteful… A few words have to be read before it is clear that 124 refers to a house … and a few more have to be read to discover why it is spiteful, or rather the source of the spite. By then it is clear, if not at once, that something is beyond control, but is not beyond understanding since it is not beyond accommodation by both the "women" and the "children." The fully realized presence of the haunting is both a major incumbent of the narrative and sleight of hand. One of its purposes is to keep the reader preoccupied with the nature of the incredible spirit world while being supplied a controlled diet of the incredible political world. ... Here I wanted the compelling confusion of being there as they (the characters) are; suddenly, without comfort or succor from the "author," with only imagination, intelligence, and necessity available for the journey. …. No compound of houses, no neighborhood, no sculpture, no paint, no time, especially no time because memory, pre-historic memory, has no time. There is just a little music, each other and the urgency of what is at stake. Which is all they had. For that work, the work of language is to get out of the way.
--
"Unspeakable Things Unspoken: The Afro-American Presence in American Literature" in Michigan Quarterly Review 28, no. 1 (Winter 1989)

 

Toni Morrison

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Pythagoras, as everyone knows, said that "all things are numbers." This statement, interpreted in a modern way, is logical nonsense, but what he meant was not exactly nonsense. He discovered the importance of numbers in music and the connection which he established between music and arithmetic survives in the mathematical terms "harmonic mean" and "harmonic progression." He thought of numbers as shapes, as they appear on dice or playing cards. We still speak of squares or cubes of numbers, which are terms that we owe to him. He also spoke of oblong numbers, triangular numbers, pyramidal numbers, and so on. These were the numbers of pebbles (or as we would more naturally say, shot) required to make the shapes in question.

 

Pythagoras

 

People still, old people, insist on picking up the phone and saying their home number, why are you doing that? What a complete waste of time. [imitating old person] "020767944!" [exasperated person on other end] "I know that, I've just dialled it! It's the last thing I did on earth was dial those numbers. Do you open the front door and say your address? It's the same principle."

 

Michael McIntyre

 

if a girl likes me a lot
and starts getting real nervous
and suddenly begins asking me funny questions
and looks sad if I give the wrong answers
and she says things like,
"Do you think it's going to rain?"
and I say, "It beats me,"
and she says, "Oh,"
and looks a little sad
at the clear blue California sky,
I think: Thank God, it's you, baby, this time
  Instead of me.

 

Richard Brautigan

 

In his book Scientific Edge, noted physicist Jayant Narlikar stated that "Srinivasa Ramanujan, discovered by the Cambridge mathematician G.H. Hardy, whose great mathematical findings were beginning to be appreciated from 1915 to 1919. His achievements were to be fully understood much later, well after his untimely death in 1920. For example, his work on the highly composite numbers (numbers with a large number of factors) started a whole new line of investigations in the theory of such numbers." Narlikar also goes on to say that his work was one of the top ten achievements of 20th century Indian science and "could be considered in the Nobel Prize class." The work of other 20th century Indian scientists which Narlikar considered to be of Nobel Prize class were those of Chandrasekhara Venkata Raman, Megh Nad Saha and Satyendra Nath Bose.

 

Srinivasa Ramanujan

 

"You hear your fate," said the Sphere to me, while the Council was passing for the third time the formal resolution. "Death or imprisonment awaits the Apostle of the Gospel of Three Dimensions." "Not so," replied I, "the matter is now so clear to me, the nature of real space so palpable, that methinks I could make a child understand it. Permit me but to descend at this moment and enlighten them." "Not yet," said my Guide, "the time will come for that. Meantime I must perform my mission. Stay thou there in thy place." Saying these words, he leaped with great dexterity into the sea (if I may so call it) of Flatland, right in the midst of the ring of Counsellors. "I come," cried he, "to proclaim that there is a land of Three Dimensions."

 

Edwin Abbot