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Stephen Jay Gould

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Steve was one of seven or eight second-year students in Columbia University's graduate program in paleontology. I was a senior at the college, eager to hang out—and glad to be included in the mix. We had a ball, eating Southern food at an extravaganza of a church cookout and collecting some of the most gorgeous fossils on Earth. But Steve, at least in my eyes, totally stole the show: of the thousands of specimens of the snail Turritella plebeia lying around, he found the only aberrant specimen—one that was to figure in one of his earliest papers. The guy had eyes. My usual rap on Steve is that I have never met a smarter person who works as hard as he does. That's as true now as it was back in the late 1960s, when my wife and I went up to Cambridge to visit the Goulds and the fabulous collection of trilobites that Steve's predecessor, Harry Whittington, had left in Steve's Harvard office. Dinner over, the evening getting late, we went to bed, but as I was dropping off, I heard the sound of Steve's by-now-famous manual typewriter as he wrote a review (I think it was of a new publication of the letters of Charles Lyell). Man, that guy could put the time in.
--
Niles Eldredge, "This view of Stephen Jay Gould" Natural History 108 (Nov. 1999): 50.

 
Stephen Jay Gould

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In the early days, I was writing scripts for virtually all the books, and it was very hard to keep all the artists busy; poor little frail me, doing story after story. So I'd be writing a story for Kirby, and Steve Ditko would walk in and say, 'Hey, I need some work now.' And I'd say, 'I can't give it to you now, Steve, I'm finishing Kirby's.' But we couldn't afford to keep Steve waiting, because time is money, so I'd have to say, 'Look Steve, I can't write a script for you now, but here's the plot for the next Spider-Man. Go home and draw anything you want, as long as it's something like this, and I'll put the copy in later.' So I was able to finish Jack's story. Steve in the meantime was drawing another story.....Okay, it started out as a lazy's man's device...but we realized this was absolutely the best way to do a comic.....Don't have the writer say, 'Panel one will be a long shot of Spider-Man walking down the street.' The artist may see it differently; maybe he feels it should be a shot of Spider-Man swinging on his web, or climbing upside-down on the ceiling or something.

 
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What is particularly delightful about Steve's writing is the virtuosity with which he connects seemingly unrelated subjects to illuminate and strengthen his arguments. Whether right or wrong, Steve is always stimulating, and this is perhaps where he has made his greatest contribution—in awakening in thousands, if not millions, of his readers an enthusiasm for the secrets of this wonderful world of ours.

 
Stephen Jay Gould
 

Steve insists that we're shipping in early 1982, and won't accept answers to the contrary. The best way to describe the situation is a term from Star Trek. Steve has a reality distortion field.… In his presence, reality is malleable. He can convince anyone of practically anything. It wears off when he's not around, but it makes it hard to have realistic schedules.

 
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Steve is extremely bright, inventive. He thoroughly understands paleontology; he thoroughly understands evolutionary biology. He has performed an enormous service in getting people to think about punctuated equilibrium, because you see the process of stasis/sudden change, which is a puzzle. It's the cessation of change for long periods of time. Since you always have mutations, why don't things continue changing? You either have to say that the particular form is highly adapted, optimal, and exists in a stable environment, or you have to be very puzzled. Steve has been enormously important in that sense. Talking with Steve, or listening to him give a talk, is a bit like playing tennis with someone who's better than you are. It makes you play a better game than you can play. For years, Steve has wanted to find, in effect, what accounts for the order in biology, without having to appeal to selection to explain everything—that is, to the evolutionary "just-so stories." You can come up with some cockamamie account about why anything you look at was formed in evolution because it was useful for something. There is no way of checking such things. We're natural allies, because I'm trying to find sources of that natural order without appealing to selection, and yet we all know that selection is important.

 
Stephen Jay Gould
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