In this sense genuine artists are so bound up with their age that they cannot communicate separated from it. In this sense, too, the historical situation conditions the creativity. For the consciousness which obtains in creativity is not the superficial level of objectified intellectualization, but is an encounter with the world on a level that undercuts the subject-object split. "Creativity" to rephrase our definition, “is the encounter of the intensively conscious human being with his or her world.”
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Ch 2 : The Nature of Creativity, p. 54Rollo May
Creativity is seeing what everyone else sees, but then thinking a new thought that has never been thought before and expressing it somehow. It could be with art, a sculpture, music or even in science. The difference, however, between scientific creativity and any other kind of creativity, is that no matter how long you wait, no one else will ever compose "Beethoven's Ninth Symphony" except for Beethoven. No matter what you do, no one else will paint Van Gogh's "Starry Night." Only Van Gogh could do that because it came from his creativity.
Neil deGrasse Tyson
It must NEVER be "me, myself and my misunderstood creativity vs. the rest of the world". Creativity is supposed to open your world up to others, to the world itself. It's a funny mix, I think, but it must be a happy one.
John Howe
This passion for form is a way of trying to find and constitute meaning in life. And this is what genuine creativity is. Imagination, broadly defined, seems to me to be a principle in human life underlying even reason, for the rational functions, according to our definitions, can lead to understanding — can participate in the constituting of reality — only as they are creative. Creativity is thus involved in our every experience as we try to make meaning in our self-world relationship.
Rollo May
..I mean that the idea of art has to be changed. And you have to look for the spring point, where the creative principle begins. Art as it’s now understood is a special kind of creativity; there are others, like philosophy or electricity. But it’s very simple to see that all these activities are necessary for (designating) things in the world. An electrician, a physicist or a doctor has to form the problems he finds in the world, yes? But if you want to provide a fundamental analysis of these problems, you have to develop a special kind of consciousness-science. And then you find that the human body isn’t only located in a physical context, that he isn’t only incarnated in the physical world between birth and death.. ..his thinking springs from another source.. ..and I am saying that artists working in the West and East and Far East, cannot arrive at a good result unless they look first to the point from where creativity springs. And you see culture related to freedom, because culture implies freedom. There can be no repression from ay point. (1973)
Joseph Beuys
The hearer of myth, regardless of his level of culture, when he is listening to a myth, forgets, as it were, his particular situation and is projected into another world, into another universe which is no longer his poor little universe of every day. . . . The myths are true because they are sacred, because they tell him about sacred beings and events. Consequently, in reciting or listening to a myth, one resumes contact with the sacred and with reality, and in so doing one transcends the profane condition, the "historical situation." In other words one goes beyond the temporal condition and the dull self-sufficiency which is the lot of every human being simply because every human being is "ignorant" — in the sense that he is identifying himself, and Reality, with his own particular situation. And ignorance is, first of all, this false identification of Reality with what each one of us appears to be or to possess.
Mircea Eliade
May, Rollo
Mayakovsky, Vladimir
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