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A woman in white stood atop the rubble a short distance away, a massive halo of power surrounding her, her arm outstretched toward the fleeing soldiers, her eyes intense. The woman stood like vengeance itself, the power of saidar like a storm around her. The very air seemed alight, and her brown hair blew from the wind of the open gap in the wall beside them. Egwene al'Vere.
--
Adelorna Sedai, Captain General of the Green Ajah in the White Tower

 

Robert Jordan

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A woman. Alive. In the daylight.
He stood, mouth partly open, gaping at the woman. She was young, he could see now as she came closer; probably in her twenties. She wore a wrinkled and dirty white dress. She was very tan, her hair was red. In the dead silence of the afternoon Neville thought he heard the crunch of her shoes in the long grass.
I’ve gone mad. The words presented themselves abruptly. He felt less shock at that possibility than he did at the notion that she was real. He had, in fact, been vaguely preparing himself for just such a delusion. It seemed feasible. The man who died of thirst saw mirages of lakes. Why shouldn’t a man who thirsted for companionship see a woman walking in the sun?

 

Richard Matheson

 

Without doubt Margaret Fuller stood first among women of the nineteenth century. ... Though today almost forgotten, Margaret Fuller still probably holds more firsts than any other American woman who ever lived. As editor of the transcendentalist Dial, she was the first woman editor of an important intellectual magazine. She was the first woman to write a book about the West and such experiences as sleeping in a barroom, shooting rapids in an Indian canoe, and witnessing maltreatment of the red man by the white man. She was the first woman to break the taboo against the female sex in the Harvard College Library. As columnist for Horace Greeley’s New York Tribune, she was the first U.S. woman journalist and and the first professional literary critic of cither sex in the United States.

 

Margaret Fuller

 

He stood up and looked at me even as the seasons might look down upon the field, and He smiled. And He said again: "All men love you for themselves. I love you for yourself."
And then He walked away.
But no other man ever walked the way He walked. Was it a breath born in my garden that moved to the east? Or was it a storm that would shake all things to their foundations?
I knew not, but on that day the sunset of His eyes slew the dragon in me, and I became a woman, I became Miriam, Miriam of Mijdel.

 

Khalil Gibran

 

He closed his eyes and tried to recover in his imagination the mudbrick walls and reed roof of her stories, the garden of prickly pear, the chickens scampering for the feed scattered by the little barefoot girl. And behind that child, in the doorway, her face obscured by shadow, he searched for a second woman, the woman from whom his mother had come into the world. When my mother was dying in the hospital, he thought, when she knew her end was coming, it was not me she looked to but someone who stood behind me: her mother or the ghost of her mother. To me she was a woman but to herself she was still a child calling to her mother to hold her hand and help her. And her own mother, in the secret life we do not see, was a child too. I come from a line of children without end.

 

J. M. Coetzee

 

They stood where they stood by the power of the sword.

 

Thucydides