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Robert Charles Wilson

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I suppose every decade gets the music it deserves.
--
Chapter 14 (p. 175)

 
Robert Charles Wilson

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A French Author has found out that the French music is for the heart; Italian music, for the ear only: but I do not know how it is to get at the one but by means of the other, and I fancy that which does not please the ear, will never find its way to the heart. I think it is Confucius who says, that the state of music is a proof of the good or bad customs of a country. The French nation would lose by such a judgment and the Italian gain more than it deserves.

 
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"I suppose you don't have much time for enjoying music," Clary said, thinking of Simon, for whom music was his entire life, "in your line of work."
He shrugged. "Maybe the occasional wailing chorus of the damned."

 
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Decade after decade, artists came to paint the light of Provincetown, and comparisons were made to the lagoons of Venice and the marshes of Holland, but then the summer ended and most of the painters left, and the long dingy undergarment of the gray New England winter, gray as the spirit of my mood, came down to visit.

 
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“[During the]...’Decade of Greed,’ the United States experienced the greatest economic boom in its history… huge strides were made in economic opportunities for minorities, and Americans gave to charities at record levels. If this is what it means to have a ‘Decade of Greed,’ let’s have another.”

 
David A. Ridenour
 

I suppose there's a certain way I like the music to be performed, and I feel I can capture it better than anyone else. I know every note in every song, the whole history of it, even parts that were there and are gone.

 
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