Most historians merely mention that Bruno was charged with the heresy of teaching Copernican astronomy, but Frances Yates, a historian who specialized in the occult aspects of the scientific revolution, points out that Bruno was charged with 18 heresies and crimes, including the practice of sorcery and organizing secret societies to oppose the Vatican. Yates thinks Bruno may have had a role in the invention of either Rosicrucianism or Freemasonry or both.
Bruno's teachings combined the new science of his time with traditional Cabalistic mysticism. He believed in a universe of infinite space with infinite planets, and in a kind of dualistic pantheism, in which the divine is incarnate in every part but always in conflicting forms that both oppose and support each other. Whatever his link with occult secret societies, he influenced Hegel, Marx, theosophy, James Joyce, Timothy Leary, Discordianism, and Dr. Wilhelm Reich.
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"Giordano Bruno", p. 95Robert Anton Wilson
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Joyce gives the ghost guises like Saint Bruno and The Nolan of the Cabashes and Noland's brown and Nolan Browne and Bruno Nowlan and Nolans Brumans and Mr. Brown and Bruno Nolan and many others. The encyclopedic Joyce was deeply impressed by Bruno's heady coincidence of contraries, and was no doubt sympathetic to Bruno's hectic and finally tragic bouts with the Inquisition. McLuhan the Joycean scholar was certainly conscious of Joyce's debt to Bruno. But I like to think there was more: that when "Bruno Nolan" winked from one of paper sleeves, McLuhan made a recognition as if glimpsing a companion from across the centuries and winked back.
Giordano Bruno
Through the seventeenth and eighteenth centuries, Bruno's ideas were widely imparted, borrowed, sounded; almost never, though, with the name Giordano Bruno attached to them. Kepler once chided Galileo for omitting his debt to Bruno; yet we can discern Kepler's own indifference... Later generations would evoke Bruno's writings to the phrase, without quoting or acknowledging him. Recent scholarship on Spinoza, for example, cites Bruno's powerful exertion on his thought about infinity and on his style. Never does Spinoza cite Bruno by name.
Baruch Spinoza
The whole of Bruno's philosophy is based on his view of an infinite universe with an infinity of worlds. He conceived the universe as a vast interrelationship throughout space and time, comprehending all phenomena, material and spiritual. Thence he was led to contemplate the parts under the mode of relativity. The conception of the infinity of the universe renders meaningless the ascription to it of motion, but Bruno conceives each of the infinitely numerous worlds to be moving on its course in relation to other worlds, impelled by its own twofold nature as individual and as part of the whole. All estimates of direction, position and weight within the whole must be relative. Moreover, the cosmological system is illumined by the properties of number.
Giordano Bruno
"History has not yet registered a stable appraisal for Giordano Bruno" writes Giorgio de Santillana in The Age of Adventure. Perceptions of Bruno were volatile enough in his lifetime; many have remained polarized to this day. Radoslav Tsanoff calls Bruno "the outstanding philosopher of the Renaissance," and Harold Hoffding cites Bruno's work as "the greatest philosophical thought-structure executed by the Renaissance." Yet Bertrand Russell despairs of crediting Bruno with philosophy at all: "There were fruitful intuitions lost in that disorder, but they had not yet reached the point of precision at which philosophy begins." The chasm of opinion dividing Bruno, even to this day, is one of the many improbables of this turbulent and exultant figure.
Giordano Bruno
Wilson, Robert Anton
Wilson, Robert Charles
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