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But the moment he makes the attempt his words falter, for he is confronted and defied by the inexplicable array of his own emotions. Emotions are subjective and he can communicate them only when he clothes them in objective guise; and how can he ever be so arrogant as to know when he is dressing up the right emotion in the right Sunday suit?
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p. viii

 

Richard Wright

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I am not an abstractionist. ... I am not interested in the relationships of color or form or anything else. ... I'm interested only in expressing basic human emotions — tragedy, ecstasy, doom and so on — and the fact that a lot of people break down and cry when confronted with my pictures show that I communicate those basic human emotions. ... The people who weep before my pictures are having the same religious experience I had when I painted them. And if you, as you say, are moved only by their color relationships, then you miss the point!

 

Mark Rothko

 

It seems to me that dominant cinema seems to require an empathy or a sympathy between the film and the audience which is basically to do with the manipulation of the emotions and it seems to me again -- and this is a very subjective position -- that most cinema seems to trivialise the emotions, sentimentalising or romanticising them.

 

Peter Greenaway

 

Dicko: It was good to see you step outside the AC role that you entered the competition as. Um, I would take those movement coaching sessions a little more seriously. Simply put, um, performing a song is about communicating emotions and whether we like it or not 80% of communication is non-verbal. You communicate with your body, you communicate in emotion, sensuality and a sense of power and that's something that Anastacia does pretty well. I think it's something that you really need to work on because actually seeing that piece before you performed highlighted the fact that that's a bit of a failing of yours. I think your voice is great. It's really holding up well and actually preferred it to the version of Anastacia or Miriam as I sometimes call him. Her.

 

Hayley Jensen

 

The problem is one of opposition between subjective and objective points of view. There is a tendency to seek an objective account of everything before admitting its reality. But often what appears to a more subjective point of view cannot be accounted for in this way. So either the objective conception of the world is incomplete, or the subjective involves illusions that should be rejected.

 

Thomas Nagel

 

People who think they can control their negative emotions and manifest them when they want to, simply deceive themselves. Negative emotions depend on identification; if identification is destroyed in some particular case, they disappear. The strangest and most fantastic fact about negative emotions is that people actually worship them. I think that, for an ordinary mechanical man, the most difficult thing to realise is that his own and other people's negative emotions, have no value whatever and do not contain anything noble, anything beautiful or anything strong. In reality negative emotions contain nothing but weakness and very often the beginning of hysteria, insanity or crime. The only good thing about them is that, being quite useless and artificially created by imagination and identification, they can be destroyed without any loss. And this is the only chance of escape that man has.

 

P. D. Ouspensky