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Richard M. Stallman

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When I released GNU Emacs and people started using it, they started sending me improvements in the mail. So I would get a message with a bug fix, and a message with a new feature, and another bug fix, and another new feature, and another... and another... until they were pouring in on me so fast that just taking advantage of all of the help people were giving me was a big job. Microsoft doesn't have this problem.
--
The Free Software Movement and the GNU/Linux Operating System, given at LinuxTag, July 2000

 
Richard M. Stallman

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I use emacs, which might be thought of as a thermonuclear word processor. It was created by Richard Stallman; enough said. It is written in Lisp, which is the only computer language that is beautiful. It is colossal, and yet it only edits straight ASCII text files, which is to say, no fonts, no boldface, no underlining. In other words, the engineer-hours that, in the case of Microsoft Word, were devoted to features like mail merge, and the ability to embed feature-length motion pictures in corporate memoranda, were, in the case of emacs, focused with maniacal intensity on the deceptively simple-seeming problem of editing text.

 
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The "medium is the message" is one of the world's silliest remarks. The message is the message, and it doesn't matter whether you send it by e-mail, a note in a bottle or on a picture postcard. The book, or the poem, or the play is what counts and it doesn't matter if it's written with a pen on a long sheet of ruled paper, as I am writing now, or on the most highly developed word processor. No machine can help with the rhythms of your prose, even if it can spell better than you can.

 
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My question always was: why do people always cause so much pain to other people? Why does everybody look so hurt? When I started to paint I didn’t feel I had any message. My art was not an answer – it was a question.

 
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I've never claimed that this is investment art. When we first started out, all the art colleges and universities across the country would sort of badmouth what we were doing. It's funny that a lot of them now are sending us letters saying, 'We may not totally agree with the way you paint, but we appreciate what you're doing, because you're sending literally thousands of people into art colleges.'

 
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