Like Bradley Pearson in The Black Prince, 'N', as he is called, uses quotation marks for such vulgarisms as 'sulks,' 'commuters' and 'worthwhile activities', as well as for phrases like 'too good to be true', 'the wrong end of the stick' and 'keep in touch.' The reader reflects that a cliché or approximation, wedged between two inverted commas, is still a cliché or approximation. Besides, you see how it would 'get on your nerves' if I were to 'go on' like this 'the whole time'...
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Review of The Philosopher's Pupil by Iris Murdoch (p.92)Martin Amis
I write as clearly as I am able to. I sometimes tackle ideas and notions that are relatively complex, and it is very difficult to be sure that I am conveying them in the best way. Anyone who goes beyond cliche phrases and cliche ideas will have this trouble.
R. A. Lafferty
My experience is that journalists report on the nearest-cliche algorithm, which is extremely uninformative because there aren’t many cliches, the truth is often quite distant from any cliche, and the only thing you can infer about the actual event was that this was the closest cliche.... It is simply not possible to appreciate the sheer awfulness of mainstream media reporting until someone has actually reported on you. It is so much worse than you think.
Eliezer Yudkowsky
whoever believes that there is a God and also a providence has an easier time (in preserving the faith), an easier time in definitely gaining the faith (and not an illusion) in an imperfect world, where passion is kept vigilant, than in an absolutely perfect world. In such a world, faith is indeed inconceivable. If all the angels united, they would still be able to produce only an approximation, because in historical knowledge an approximation is the only certainty-but also too little on which to build an eternal happiness.
Soren Aabye Kierkegaard
It occurs to you that Ulysses is about cliché. It is about inherited, ready-made formulations - most notably Irish Catholicism and anti-Semitism. After all, prejudices are clichés: they are secondhand hatreds . . . Joyce never uses a cliché in innocence.
Martin Amis
Without the background of a remembered faith modernism loses its conviction: it becomes routinised. For a long time now it has been assumed that there can be no authentic creation in the sphere of high art which is not is some way a 'challenge' to the ordinary public. Art must give offence, stepping out of the future fully armed against the bourgeois taste for kitsch and cliché. But the result of this is that offence becomes a cliché.
Roger Scruton
Amis, Martin
Amos, Tori
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