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Mark Tobey

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My first lesson in relativity: ..we had a still life set-up to paint. Suddenly I saw that the pitcher was so big (his hands outside the shape of a pitcher, then close in) and the glass was so big. From that time on everything was all right. ((remembering his Saturday morning painting class)
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A Tobey Profile, quoted by Belle Krasne, Art Digest, 26 Oct. 15, 1951

 
Mark Tobey

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I paint very large pictures. I realize that historically the function of painting large pictures is painting something very grandiose and pompous. The reason I paint them however, - I think it applies to other painters I know -, is precisely because I want to be very intimate and human. To paint a small picture is to place yourself outside your experience, to look upon an experience as a stereopticon view or with a reducing glass. However you paint the lager picture, you are in it. It isn’t something you command.

 
Mark Rothko
 

While upon the subject of plants I may here mention a few of the more striking vegetable productions of Borneo. The wonderful Pitcher-plants, forming the genus Nepenthes of botanists, here reach their greatest development. Every mountain-top abounds with them, running along the ground, or climbing over shrubs and stunted trees; their elegant pitchers hanging in every direction. Some of these are long and slender, resembling in form the beautiful Philippine lace-sponge (Euplectella), which has now become so common; others are broad and short. Their colours are green, variously tinted and mottled with red or purple. The finest yet known were obtained on the summit of Kini-balou, in North-west Borneo. One of the broad sort, Nepenthes rajah, will hold two quarts of water in its pitcher. Another, Nepenthes Edwardsiania, has a narrow pitcher twenty inches long; while the plant itself grows to a length of twenty feet.

 
Alfred Russel Wallace
 

I don’t like that word 'finish'. When something is finished, that means it’s dead, doesn’t it? I believe in everlastingness. I never finish a painting – I just stop working on it for a while. I like painting because it’s something I never come to the end of. Sometimes I paint a picture, then I paint it all out. Sometimes I’m working on fifteen or twenty pictures at the same time. I do that because I want to – because I like to change my mind so often. The thing to do is always to keep starting to paint, never finishing painting.(1947)

 
Arshile Gorky
 

I'd like to think that on a lot of teams, I'd be a No. 1. The thing I do know is that every time I take the mound, in my mind I'm the best pitcher in the league.

 
Adam Wainwright
 

There is imagery. Symbolism is a difficult idea. I’m not a symbolist. In other words, these are painting experiences. I don’t decide in advance that am going to paint a definite experience, but in the act of painting, it becomes a genuine experience for me. It’s not symbolism any more than it’s calligraphy. I’m not painting bridge constructions, skyscrapers or laundry tickets.. ..I don’t paint a given object – a figure or a table; I paint an organization that becomes a painting.. ..it’s not these things that get me started on a painting.. (1958)

 
Franz Kline
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