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My mentally handicapped son Hikari was awakened by the voices of birds to the music of Bach and Mozart, eventually composing his own works. The little pieces that he first composed were full of fresh splendour and delight. They seemed like dew glittering on grass leaves. The word innocence is composed of in — "not" and nicer — "hurt", that is, "not to hurt". Hikari's music was in this sense a natural effusion of the composer's own innocence.

 

Kenzaburo Oe

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This one guy, the worse guy in the music. The Yanni man. You know Yanni? First of all, anyone who looks like a magician and doesn't do magic, I don't like. I don't even like magic, I hate it. But I love the word, "Ta-da"! I love that word! I don't get to say it, right? I never do any magic. You just cant go around walking, "Ta-da!" "Ta-da!" "Ta-da!" The only time I can say it is when I do something really stupid or surprising. Like if I go out all night drinking and hitting strip clubs and I come home and I still got some money .... "Ta---da!" I thought I was broke. Why does my jaw hurt?

 

Dave Attell

 

"...We met in 1950, through John Cage, when I was sixteen and he in his early twenties. We were all doing work that was clearly different, newly different - from one another, but joined by our delight in each other's work (and by John Cage's organizing the concerts of it and a few musicians, David Tudor centrally, playing it), and by its difference from any other we knew. I still find mysterious his way of putting the music together, or rather of erasing any traces of a sense of its having been put together: it's just there. How does he do it? He's the only composer I know whose work seems made in a way that cannot be accounted for, explained, by any other means than the impossible one of becoming that composer oneself. He talked wonderfully, sharply, outrageously, but that wasn't quite his music. One thinks of the disparity of his large, strong presence and the delicate, hypersoft music, but in fact he too was, among other things, full of tenderness and the music is, among other things, as tough as nails." - Christian Wolff, Composer and Pianist

 

Morton Feldman

 

It was a turning point in my programming career when I realized that I didn't have to win every argument. I'd be talking about code with someone, and I'd say, "I think the best way to do it is A." And they'd say, "I think the best way to do it is B. I'd say, "Well no, it's really A." And they'd say, "Well, we want to do B." It was a turning point for me when I could say, "Fine. Do B. It's not going to hurt us that much if I'm wrong. It's not going to hurt us that much if I'm right and you do B, because, we can correct mistakes. So lets find out if it's a mistake."

 

Ward Cunningham

 

Mozart was the Shakspeare of music; and as long as the immortal bard is read, Mozart will live in the admiration of mankind. He has reached the passions through the ear as Shakspeare did through the mind, and no works will live that do not touch the passions and the heart — they are the same in all ages, and will make Shakspeare and Mozart a poet and a composer "For all time".

 

Wolfgang Amadeus Mozart

 

His language had a special vocabulary — not just "the SF" [God] and "epsilon" [child] but also "bosses" (women), "slaves" (men), "captured" (married), "liberated" (divorced), "recaptured" (remarried), "noise" (music), "poison" (alcohol), "preaching" (giving a mathematics lecture), "Sam" (the United States), and "Joe" (the Soviet Union). When he said someone had "died," Erdős meant that the person had stopped doing mathematics. When he said someone had "left," the person had died.

 

Paul Erdos