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Julian May

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Isn't Biblical Eden an ambivalent symbol? It seems to me that the myth simply show us that self-awareness and intelligence are perilous. And they can be deadly. But consider the alternative to the Tree of Knowledge. Would anyone want innocence at such a price? Not me.
The Many-Colored Land (Houghton Mifflin, 1981), ISBN 0-395-30230-7, chap. 7, p. 45

Julian May

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Symbol and myth do bring into awareness infantile, archaic dreads and similar primitive psychic content. This is their regressive aspect. But they also bring out new meaning, new forms, and disclose a reality that was literally not present before, a reality that is not merely subjective but has a second pole which is outside ourselves. This is the progressive side of symbol and myth. This aspect points ahead. It is integrative. It is a progressive revealing of structure in our relation to nature and our own existence, as the French philosopher Paul Ricoeur so well states. It is a road to universals beyond discrete personal experience.

Rollo May

The essence of Christianity is told to us in the Garden of Eden history. The fruit that was forbidden was on the Tree of Knowledge. The subtext is, All the suffering you have is because you wanted to find out what was going on. You could be in the Garden of Eden if you had just kept your f**king mouth shut and hadn't asked any questions.

Frank Zappa

Do you, good people, believe that Adam and Eve were created in the Garden of Eden and that they were forbidden to eat from the tree of knowledge? I do. The church has always been afraid of that tree. It still is afraid of knowledge. Some of you say religion makes people happy. So does laughing gas. So does whiskey. I believe in the brain of man. I'm not worried about my soul.

Clarence Darrow

Everything which is, is thought, but not conscious and individual thought. The human intelligence is but the consciousness of being. It is what I have formulated before: Everything is a symbol of a symbol, and a symbol of what? of mind.

Henri-Frederic Amiel

Poetry is not a branch of analytical philosophy. It is a primal, holistic kind of human communication. A poet needs innocence as much as knowledge, emotion as much as intelligence, vulnerability as much as rigor. A poet can become too smart for his or her own good and forget the childlike pleasures of sound and story, sense, and sensuality that poetry should provide. The challenge for a writer is to master the medium of poetry without losing that inner innocence.

Dana Gioia
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