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Jorge Luis Borges

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Imprecision is tolerable and verisimilar in literature, because we always tend towards it in life.
--
"The Postulation of Reality" ["La postulación de la realidad"] (1931)

 
Jorge Luis Borges

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Tags: Jorge Luis Borges Quotes, Life Quotes, Authors starting by B


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At the heart of liberty is the right to define one's own concept of existence, of meaning, of the universe, and of the mystery of human life…. people have organized intimate relationships and made choices that define their views of themselves and their places in society, in reliance on the availability of abortion in the event that contraception should fail…. We conclude the line should be drawn at viability, so that, before that time, the woman has a right to choose to terminate her pregnancy…. there is no line other than viability which is more workable. To be sure, as we have said, there may be some medical developments that affect the precise point of viability, but this is an imprecision within tolerable limits.... A husband has no enforceable right to require a wife to advise him before she exercises her personal choices.

 
Anthony Kennedy
 

To have access to literature, world literature, was to escape the prison of national vanity, of philistinism, of compulsory provincialism, of inane schooling, of imperfect destinies and bad luck. Literature was the passport to enter a larger life; that is, the zone of freedom.
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The writer is an ordinary man, not a spokesman for the people, and that literature can only be the voice of one individual. Writing that becomes an ode to a country, the standard of a nation, the voice of a party... loses its nature—it is no longer literature. Writers do not set out to be published, but to know themselves. Although Kafka or Pessoa resorted to language, it was not in order to change the world. I, myself, believe in what I call cold literature: a literature of flight for one's life, a literature that is not utilitarian, but a spiritual self-preservation in order to avoid being stifled by society. I believe in a literature of the moment, for the living. You have to know how to use freedom. If you use it in exchange for something else, it vanishes.

 
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Sirs, I address this warning to you, the aristocracy of industry in this city, because, like all aristocracies, you tend to grow blind in long authority, and to be unaware that you and your class and its every action are being considered and judged day by day by those who have power to shake or overturn the whole social order, and whose restlessness in poverty today is making our industrial civilisation stir like a quaking bog. You do not seem to realise that your assumption that you are answerable to yourselves alone for your actions in the industries you control is one that becomes less and less tolerable in a world so crowded with necessitous life.

 
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Books should confuse. Literature abhors the typical. Literature flows to the particular, the mundane, the greasiness of paper, the taste of warm beer, the smell of onion or quince. Auden has a line: "Ports have names they call the sea." Just so will literature describe life familiarly, regionally, in terms life is accustomed to use — high or low matters not. Literature cannot by this impulse betray the grandeur of its subject — there is only one subject: What it feels like to be alive. Nothing is irrelevant. Nothing is typical.

 
Richard Rodriguez
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