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Nature is ever at work building and pulling down, creating and destroying, keeping everything whirling and flowing, allowing no rest but in rhythmical motion, chasing everything in endless song out of one beautiful form into another.
--
Our National Parks (1901), chapter 3: The Yosemite National Park

 

John Muir

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It is by participation of species that we call every sensible object beautiful. Thus, since everything void of form is by nature fitted for its reception, as far as it is destitute of reason and form it is base and separate from the divine reason, the great fountain of forms; and whatever is entirely remote from this immortal source is perfectly base and deformed. And such is matter, which my its nature is ever averse from the supervening irradiations of form. Whenever, therefore, form accedes, it conciliates in amicable unity the parts which are about to compose a whole; for being itself one it is not wonderful that the subject of its power should tend to unity, as far as the nature of a compound will admit. Hence beauty is established in multitude when the many is reduced into one, and in this case it communicates itself both to the parts and to the whole. But when a particular one, composed from similar parts, is received it gives itself to the whole, without departing from the sameness and integrity of its nature. Thus at one and the same time it communicates itself to the whole building and its several parts; and at another time confines itself to a single stone, and then the first participation arises from the operations of art, but the second from the formation of nature. And hence body becomes beautiful through the communion supernally proceeding from divinity.

 

Plotinus

 

"Nature is not served by rigid laws, but by rhythmical, reciprocal processes. Nature uses none of the preconditions of the chemist or the physicist for the purposes of evolution. Nature excludes all fire, on principle, for purposes of growth; therefore all contemporary machines are unnatural and constructed according to false premises. Nature avails herself of the biodynamic form of motion through which the biological prerequisite for the emergence of life is provided. Its purpose is to ur-procreate 'higher' conditions of matter out of the originally inferior raw materials, which afford the evolutionally older, or the numerically greater rising generation, the possibility of a constant capacity to evolve, for without any growing and increasing reserves of energy there would be no evolution or development. This results first and foremost in the collapse of the so-called Law of the Conservation of Energy, and in further consequence the Law of Gravity, and all other dogmatic lose any rational or practical basis."

 

Viktor Schauberger

 

Number one for me and no one else comes close; ignore for a second that Presley was the most beautiful human being of all time and that he was easily the most electric performer ever; in his prime, he could sing anything (rock, opera, metal, soul, blues, country – no problem); all the wonks will tell you he did his best work at Sun Records, but for me his immense '50s RCA output is so explosive that it puts everyone else to shame; it’s not just that Elvis had an amazing instrument, no one ever had so much fun putting it to use; whirling back and forth from low to high, from raspy to angelically pretty, the only singer ever that could take any song and transform it into something that sounded like it came from somewhere else, a galaxy or two away.

 

Elvis Presley

 

Actually the situation is even more complicated, since a separate tentacle picture is needed for each speed of motion of the electron, the speed being measured relative to the suspended magnet or other object on which the moving electron is to act. ...When the electron is at rest, the tentacles stick out equally in all directions. But an electron which is at rest relative to one magnet may be in motion relative to another, and to discuss the action of the electron on this second magnet we must picture it as having a belt of tentacles round its waist. This shows that we must have a different picture for every speed of relative motion, so that the total number of pictures is infinite, and we cannot form the picture we need unless we know the speed of the electron relative to the object it is about to meet.

 

James Jeans

 

Since, on account of the proximity of the stone-quarries... nearest to the city, necessity drives us to make use of their products, we must proceed as follows if we wish our work to be finished without flaws. Let the stone be taken from the quarry two years before building is to begin, and not in winter, but in summer. Then let it lie exposed in an open place. Such stone as been damaged by the two years of exposure should be used in the foundations. The rest, which remains unhurt, has passed the test of nature and will endure in those parts of the building which are above ground. This precaution should be observed, not only with dimension stone, but also with the rubble which is to be used in walls.

 

Vitruvius