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John Muir

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God never made an ugly landscape. All that the sun shines on is beautiful, so long as it is wild.
--
"The Scenery of California" in California: Early History, Commercial Position, Climate, Scenery, Forests, ... , Land Values, California State Board of Trade (July 1897), pages 16-21 (at page 16)

 
John Muir

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I simultaneously believe that languages are wonderful and awful. You have to hold both of those. Ugly things can be beautiful. And beautiful can get ugly very fast. You know, take Lisp. You know, it's the most beautiful language in the world. At least up until Haskell came along. (laughter) But, you know, every program in Lisp is just ugly. I don't figure how that works.

 
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None of Nature's landscapes are ugly so long as they are wild.

 
John Muir
 

The charming landscape which I saw this morning, is indubitably made up of some twenty or thirty farms. Miller owns this field, Locke that, and Manning the woodland beyond. But none of them owns the landscape. There is a property in the horizon which no man has but he whose eye can integrate all the parts, that is, the poet. This is the best part of these men's farms, yet to this their warranty-deeds give no title. To speak truly, few adult persons can see nature. Most persons do not see the sun. At least they have a very superficial seeing. The sun illuminates only the eye of the man, but shines into the eye and the heart of the child. The lover of nature is he whose inward and outward senses are still truly adjusted to each other; who has retained the spirit of infancy even into the era of manhood. His intercourse with heaven and earth, becomes part of his daily food.

 
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There can be no question of selecting in any direction, but of a penetrating the whole cosmic law of rhythms, forces and material that are the real world, from the ugliest to the most beautiful, everything that has character and expression, from the crudest and most brutal to the gentlest and most delicate; everything that speaks to us in its capacity as life. From this it follows that one must know all in order to be able to express all. It is the abolition of the aesthetic principle. We are not disillusioned because we have no illusions; we have never had any. What we have and what is our strength, is our joy in life; our interest in life, in all its amoral aspects. That is also the basis of our contemporary art. We do not even know the laws of aesthetics. That old idea of selection according to the beauty-principle Beautiful — Ugly, like to ethical Noble — Sinful, is dead for us, for whom the beautiful is also ugly and everything ugly is endowed with beauty. Behind the comedy and the tragedy we find only life's dramas uniting both; not in noble heroes and false villains, but people.

 
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There is nothing ugly; I never saw an ugly thing in my life: for let the form of an object be what it may, — light, shade, and perspective will always make it beautiful.

 
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