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[Concerning the Hemlock Spruce, now called Mountain Hemlock:] I wish I had space to write more of the surpassing beauty of this favorite spruce. ... The deer love to lie down beneath its spreading branches; bright streams from the snow that is always near ripple through its groves, and bryanthus spreads precious carpets in its shade. But the best words only hint its charms. Come to the mountains and see.
--
The Mountains of California (1894), chapter 8: The Forests

 

John Muir

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For a young man, sleep is a sure solvent of distress. There whirls not for him in the night any so hideous phantasmagoria as will not become, in the clarity of the next morning, a spruce procession for him to lead. Brief the vague horror of his awakening; memory sweeps back to him, and he sees nothing dreadful after all. "Why not?" is the sun’s bright message to him, and "Why not indeed?" his answer.”

 

Max Beerbohm

 

Of all the fine places in the world where beautiful happenings come together, Mr. Cabell argues, incomparably the richest is in the consciousness of a poet who is also a scholar. There are to be found the precious hoarded memories of some thousands of years: high deeds and burning loves and eloquent words and surpassing tears and laughter. There, consequently, the romancer may well take his stand, distilling bright new dreams out of ancient beauty. And if he adds the heady tonic of an irony springing from a critical intelligence, so much the better.

 

James Branch Cabell

 

There is a Precious Mountain
Even the Seven Treasures cannot compare
A cold moon rises through the pines
Layer upon layer of bright clouds
How many towering peaks?
How many wandering miles?
The valley streams run clear
Happiness forever!

 

Han Shan

 

Who made you glorious as the gates of heaven
Beneath the keen full moon ? Who bade the sun
Clothe you with rainbows ? Who, with living flower
Of loveliest blue, spread garlands at your feet ?
'God!' let the torrents, like a shout of nations,
Answer ! and let the ice-plains echo, 'God!'
'God! ' sing, ye meadow-streams, with gladsome voice!
Ye pine-groves, with your soft and soul-like sounds !
And they too have a voice, yon piles of snow,
And in their perilous fall shall thunder, 'God!'

 

Samuel Taylor Coleridge

 

The question we writers are asked most often, the favorite question, is: Why do you write? I write because I have an innate need to write. I write because I can’t do normal work as other people do. I write because I want to read books like the ones I write. I write because I am angry at everyone. I write because I love sitting in a room all day writing. I write because I can partake of real life only by changing it. I write because I want others, the whole world, to know what sort of life we lived, and continue to live, in Istanbul, in Turkey. I write because I love the smell of paper, pen, and ink. I write because I believe in literature, in the art of the novel, more than I believe in anything else. I write because it is a habit, a passion. I write because I am afraid of being forgotten. I write because I like the glory and interest that writing brings. I write to be alone. Perhaps I write because I hope to understand why I am so very, very angry at everyone. I write because I like to be read. I write because once I have begun a novel, an essay, a page I want to finish it. I write because everyone expects me to write. I write because I have a childish belief in the immortality of libraries, and in the way my books sit on the shelf. I write because it is exciting to turn all life’s beauties and riches into words. I write not to tell a story but to compose a story. I write because I wish to escape from the foreboding that there is a place I must go but—as in a dream—can’t quite get to. I write because I have never managed to be happy. I write to be happy.

 

Orhan Pamuk