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John Dryden

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I am reading Jonson's verses to the memory of Shakespeare; an insolent, sparing, and invidious panegyric...
--
On "To the Memory of my Beloved, the Author, Mr. William Shakespeare: and what he hath left us” by Ben Jonson, in Discourses on Satire and Epic Poetry (1692 - 1697)

 
John Dryden

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If I would compare him [Jonson] with Shakespeare, I must acknowledge him the more correct poet, but Shakespeare the greater wit.

 
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Shakespeare was the Homer, or father of our dramatic poets; Jonson was the Virgil, the pattern of elaborate writing. I admire him, but I love Shakespeare.

 
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Few of the university pen plaies well, they smell too much of that writer Ovid and that writer Metamorphosis and talk too much of Proserpina and Jupiter. Why, here's our fellow Shakespeare puts them all down. Aye, and Ben Jonson too. O that B. J. is a pestilent fellow, he brought up Horace giving the poets a pill, but our fellow, Shakespeare, hath given him a purge that made him beray his credit.

 
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Over the past two centuries, there has hardly been an author, certainly in the English-speaking world, who has commanded greater reverence than Shakespeare. … There is only one text in the English language that carries comparable prestige to the works of Shakespeare: the Bible, in particular in its most renowned version, the King James Bible, otherwise known as the Authorized Version, of 1611. … In view of the persistent juxtaposition of these two Anglophone cultural icons … it is hardly surprising that they also feature together in a number of fictions of Shakespeare's life, in the form of the fantasy of the Bard as co-translator of the Authorized Version. The originator of this motif seems to have been Rudyard Kipling. In his story "Proofs of Holy Writ," Kipling imagines Shakespeare in the process of revising parts of the Authorized Version with the help of Ben Jonson.

 
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Then to the well-trod stage anon
If Jonson's learned sock be on,
Or sweetest Shakespeare, Fancy's child,
Warble his native woodnotes wild.

 
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