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Jean-Baptiste Say

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With respect to the present time, there are few persons who unite the qualifications of good observers with a situation favourable for accurate observation.
--
Introduction, p. xix

 
Jean-Baptiste Say

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Nothing was more likely to aggravate the difficulties of the present situation than any suggestions that our ultimate objective was to unite France, Italy and ourselves against Germany.

 
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Has it been found that bodies of men act with more rectitude or greater disinterestedness than individuals? The contrary of this has been inferred by all accurate observers of the conduct of mankind; and the inference is founded upon obvious reasons. Regard to reputation has a less active influence, when the infamy of a bad action is to be divided among a number than when it is to fall singly upon one. A spirit of faction, which is apt to mingle its poison in the deliberations of all bodies of men, will often hurry the persons of whom they are composed into improprieties and excesses, for which they would blush in a private capacity.

 
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I'm glad you like adverbs — I adore them; they are the only qualifications I really much respect.

 
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Aldiss' New Wave masterpiece is Report On Probability A. ... The minutiae of all the involved's lives are the only thing; the act of observation is the only plot. The science fiction happens when it becomes apparent that there are Other watchers, and watchers watching those watchers, stretching back to what seems to be citizens of our own reality. Report On Probability A is about the metaphor of circular vision, manifested in the narrative by the round fields of view of the various optical devices and windows through which S, G, and C observe their world, expanding macrocosmically with the vast circle of observers observing the observers. As banality merges with paranoia, drawn only by whatever the reader brings to the narrative, there is no conclusion, no story, only facts. The story returns over and over to the painting The Hireling Shepherd by Holman Hunt, which becomes a recurring unresolved image which has no final meaning, only whatever speculation it's benighted observers bring to bear on it. Every character is searching for a meaning which may, or may not, exist as actual Truth. Behind each level of truth lies another; who is to say how far the chain goes or which part of it is more Actual? ... The simplicity of the "story" masks an investigation into uncertainty and the nature of reality itself. The seeming bankruptcy of plot opens the reader to question the act of observation, of reporting, of writing itself. Truth is what Report On Probability A is all about, and Aldiss points out that it is a plastic thing that depends on who is trying to figure it out, and an ambiguous thing that may, at it's root, be unknowable.

 
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