Now for the third quality. For a long time I couldn't make out what Aquinas meant. He uses a figurative word (a very unusual thing for him) but I have solved it. Claritas is quidditas. After the analysis which discovers the second quality the mind makes the only logically possible synthesis and discovers the third quality. This is the moment which I call epiphany. First we recognise that the object is one integral thing, then we recognise that it is an organised composite structure, a thing in fact: finally, when the relation of the parts is exquisite, when the parts are adjusted to the special point, we recognise that it is that thing which it is. Its soul, its whatness, leaps to us from the vestment of its appearance. The soul of the commonest object, the structure of which is so adjusted, seems to us radiant. The object achieves its epiphany.
James Joyce
—You know what Aquinas says: The three things requisite for beauty are, integrity, a wholeness, symmetry and radiance. Some day I will expand that sentence into a treatise. Consider the performance of your own mind when confronted with any object, hypothetically beautiful. Your mind to apprehend that object divides the entire universe into two parts, the object, and the void which is not the object. To apprehend it you must lift it away from everything else: and then you perceive that it is one integral thing, that is a thing. You recognise its integrity. Isn't that so?
— And then?
—That is the first quality of beauty: it is declared in a simple sudden synthesis of the faculty which apprehends. What then? Analysis then. The mind considers the object in whole and in part, in relation to itself and to other objects, examines the balance of its parts, contemplates the form of the object, traverses every cranny of the structure. So the mind receives the impression of the symmetry of the object. The mind recognises that the object is in the strict sense of the word, a thing, a definitely constituted entity. You see?
— Let us turn back, said Cranly.James Joyce
Berkeley discusses the view that we must distinguish the act of perceiving from the object perceived, and that the former is mental while the latter is not. His argument against this view is obscure, and necessarily so, since, for one who believes in mental substance, as Berkeley does, there is no valid means of refuting it. He says: “That any immediate object of the senses should exist in an unthinking substance, or exterior to all minds, is in itself an evident contradiction.” There is here a fallacy, analogous to the following: “It is impossible for a nephew to exist without an uncle; now Mr. A is a nephew; therefore it is logically necessary for Mr. A to have an uncle.” It is, of course, logically necessary given that Mr. A is a nephew, but not from anything to be discovered by analysis of Mr. A. So, if something is an object of the senses, some mind is concerned with it; but it does not follow that the same thing could not have existed without being an object of the senses.
George Berkely
She was always going out on a limb for everyone. Everyone but herself. There was an ethereal quality about her. She had this thing I sometimes wished I'd had, even though I knew that eventually it might be bad for me. Do you understand? She had this kind of beauty and fragility, and you just knew she was bound to get hurt because of it. But still you couldn't help but admiring that quality in her. She was just such a special person.
Sharon Tate
Between the subject and the object lies the value. This Value is more immediate, more directly sensed than any 'self' or any 'object' to which it may be later assigned. It is more real than the stove. Whether the stove is the cause of the low quality or whether possibly something else is the cause is not yet absolutely certain. But that the quality is low is absolutely certain. It is the primary empirical reality from which such things as stoves and heat and oaths and self are later intellectually constructed.
Robert M. Pirsig
Everything's different. You have to recognise the fact that I'm different. Time goes on, and you change. I'm coming into this as a different guy, that's probably the biggest thing.
Chris Cornell
Joyce, James
Joyce, Michael
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