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James Joyce

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Poetry, even when apparently most fantastic, is always a revolt against artifice, a revolt, in a sense, against actuality. It speaks of what seems fantastic and unreal to those who have lost the simple intuitions which are the test of reality; and, as it is often found at war with its age, so it makes no account of history, which is fabled by the daughters of memory.
--
"James Clarence Mangan" (1902), a lecture on Mangan delivered at the Literary and Historical Society, University College, Dublin (1902-02-01) and printed in the college magazine St. Stephen's.

 
James Joyce

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The revolt was the sepoy; the revolution would have been the people; the revolt was revenge; the revolution would have been the Idea; the revolt was the cruel Vishnu; the revolution would have been the mild Shiva.

 
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A simple idea blinds us, and under the cover of darkness, much happens that most of us would reject if any of us looked. So uncritically do we accept the idea of property in ideas that we don't even notice how monstrous it is to deny ideas to a people who are dying without them. So uncritically do we accept the idea of property in culture that we don't even question when the control of that property removes our ability, as a people, to develop our culture democratically. Blindness becomes our common sense. And the challenge for anyone who would reclaim the right to cultivate our culture is to find a way to make this common sense open its eyes.
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Revolt against a tyrant is legitimate; it can succeed. Revolt against human nature is doomed to failure.

 
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The pessimist is commonly spoken of as the man in revolt. He is not. Firstly, because it requires some cheerfulness to continue in revolt, and secondly, because pessimism appeals to the weaker side of everybody, and the pessimist, therefore, drives as roaring a trade as the publican. The person who is really in revolt is the optimist, who generally lives and dies in a desperate and suicidal effort to persuade all the other people how good they are. It has been proved a hundred times over that if you really wish to enrage people and make them angry, even unto death, the right way to do it is to tell them that they are all the sons of God.

 
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Aristotle remarks in his Poetics that poetry is superior to history, because history presents only what has occurred, poetry what could and ought to have occurred, poetry has possibility at its disposal. Possibility, poetic and intellectual, is superior to actuality; the esthetic and the intellectual are disinterested. But there is only one interest, the interest in existing; disinterestedness is the expression for indifference to actuality. The indifference is forgotten in the Cartesian Cogito-ergo sum, which disturbs the disinterestedness of the intellectual and offends speculative thought, as if something else should follow from it. I think, ergo I think; whether I am or it is (in the sense of actuality, where I means a single existing human being and it means a single definite something) is infinitely unimportant. That what I am thinking is in the sense of thinking does not, of course, need any demonstration, nor does it need to be demonstrated by any conclusion, since it is indeed demonstrated. But as soon as I begin to want to make my thinking teleological in relation to something else, interest enters the game. As soon as it is there, the ethical is present and exempts me from further trouble with demonstrating my existence, and since it obliges me to exist, it prevents me from making an ethically deceptive and metaphysically unclear flourish of a conclusion.

 
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