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James Berardinelli

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It's rare that the sequel to a good movie lives up to expectations. Such is the case with Die Hard 2, the somewhat-muddled but still entertaining return of Bruce Willis' John McClane. Fortunately, the original Die Hard was good enough that there's room for the second installment to be enjoyable while still not matching the pace or possessing the flair of its predecessor.
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Review of Die Hard 2: Die Harder (1990)

 
James Berardinelli

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After the second Die Hard, Bruce Willis stated he would never do another. He should have stayed firm in his resolve. If quality is any indication (and it may be, with all the available blockbusters), box office returns will be disappointing this time around and, if nothing else, that will do to John McClane what dozens of assorted bad guys couldn't manage: kill him.

 
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There are directors that make one good movie their whole life, but this movie creates a buzz around the director, then they get like forever good reviews. Till someone 20 years later says, look, to be honest I liked only the one movie of that guy. In my case it’s exactly the opposite. I get trashed for whatever I do. They don’t see any difference in what I’m doing.

 
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We must be something in order to do something, but we must also do something in order to be something. The best rule, I think, is this: If we find it hard to do good, then let us try to be good. If, on the other hand, we find it hard to be good, then let us try to do good. Being leads to doing, doing leads to being. Yet below both as their common root is faith, — faith in God, in man, in ourselves, in the eternal superiority of right over wrong, truth over error, good over evil, love over all selfishness and all sin.

 
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Is that a sacrilege that I praise a Holocaust movie [Schindler's List] for being entertaining? The word doesn't imply that a movie need be cheerful. In my mind, entertainment in this genre springs from characters who are brought to full life, who we care about and who are set in a powerful story. My motto: "No good movie is depressing. All bad movies are depressing."

 
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Sometimes it is hard to criticize, one wants only to chronicle. The good and mediocre books come in from week to week, and I put them aside and read them and think of what to say; but the "worthless" books come in day after day, like the cries and truck sounds from the street, and there is nothing that anyone could think of that is good enough for them. In the bad type of thin pamphlets, in hand-set lines on imported paper, people's hard lives and hopeless ambitions have expressed themselves more directly and heartbreakingly than they have ever expressed in any work of art: it is as if the writers had sent you their ripped-out arms and legs, with "This is a poem" scrawled on them in lipstick. After a while one is embarrassed not so much for them as for poetry, which is for these poor poets one more of the openings against which everyone in the end beats his brains out; and one finds it unbearable that poetry should be so hard to write — a game of Pin the Tail on the Donkey in which there is for most of the players no tail, no donkey, not even a booby prize.

 
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