Parodies are hard to do well, as is shown by the mediocrity of so many recent attempts. No matter how ripe a genre is for satirizing, unless you know how to do it, there are no guarantees.
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Review of Robin Hood: Men in Tights (1993)James Berardinelli
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Die Hard represents the class of modern action pictures and the standard by which they must be judged. Few films falling into the "mindless entertainment" genre have as much going for them as this movie. Not only is it a thrill-a-minute ride, but it has one of the best film villains in recent memory, a hero everyone can relate to, dialogue that crackles with wit, and a lot of very impressive pyrotechnics.
James Berardinelli
As far as I'm concerned, some of the best literature of the last hundred years has come out of the genre tradition and of course the best of it challenges expectations just as the best of literary fiction challenges those expectations. But it's not that genre fiction is any more a constraint than mimetic fiction. So I see myself very much as a genre writer. I love the fantastic genres. I see what I'm doing as a development of them but very much a part of them. I never feel that I'm leaving them behind. I try and be as experimental and avant-garde and stretching as I can be but I don't see that as turning my back on the genre at all. Genre has always been able to encompass that.
China Mieville
I know that the Communists are atheistic and godless, but I don't think that that's what's primarily the matter with them. What's primarily the matter with them is that they worship a false god. That's much more dangerous than when people don't believe anything; they may be confused, they may not have a sense of the meaning of life, but they're not dangerous. The fanatic is dangerous. The Communists do have a god, the Dialectic of History, which guarantees everything that they're going to do and guarantees them victory; that's why they're fanatic.
Reinhold Niebuhr
Capitalism is hard to reason with, but it vividly understands the fist of the working-class, and the Bolsheviks’ unforgettable honorary deed — no matter how the future may turn out, is that they for the first time in world history have shown the tormenters of humanity, an example of power that truly acts, not just talks. The fist in the face, that is the only argument capitalism understands, and Bolshevism has used the fist, hard, very hard but certainly justified.
Ture Nerman
The parody is the last refuge of the frustrated writer. Parodies are what you write when you are associate editor of the Harvard Lampoon. The greater the work of literature, the easier the parody. The step up from writing parodies is writing on the wall above the urinal.
Ernest Hemingway
Berardinelli, James
Berays, Edward
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