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Jackson Pollock

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The thing that interests me is that today painters do not have to go to a subject-matter outside themselves. Modern painters work in a different way. They work from within.
--
Radio interview (1951); as quoted in "Lives of theGreat Twentieth Century Artists" (1986) by Edward Lucie-Smith, p. 263

 
Jackson Pollock

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Modern art to me is nothing more than the expression of contemporary aims of the age we’re living in... All cultures have had means and techniques of expressing their immediate aims – the Chinese, the Renaissance, all cultures. The thing that interests me is that today painters do not have to go to a subject matter outside of themselves. Most modern painters work from a different source, they work from within.

 
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It is a widely accepted notion among painters that it does not matter what one paints as long as it is well painted. This is the essence of academism. There is no such thing as good painting about nothing. We assert that only that subject matter is valid which is tragic and timeless. That is why we profess spiritual kinship with primitive and archaic art.

 
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I mean that the things I felt and that I enjoyed about certain painters of the past that I liked, that inspired me, like Cézanne and Manet, that thing I enjoyed in their work, that complete losing of oneself in the work to such an extent that the work itself, even though it was a picture of a woman in front of a mirror or some dead fish on the table, the pictures of those men were no pictures to me. They felt as if a living organism was posited there on the canvas, on this surface. That’s truly to me the act of creation.

 
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We were outcasts, roughly expressionist painters not acceptable to most dealers and collectors.(A reference to the TEN group of painters)

 
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You have long known what I have tried to establish: the right to dare everything; yet the difficulty I have had finding enough money to live on has been too great, and my capacities have not produced a very big result but the mechanism has got underway nevertheless. The public does not owe me anything because the pictorial work I have done is only relatively good, but the painters who benefit from that freedom today do owe me something.

 
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