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Herman Melville

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THE greatest seer and poet of the sea for me is Melville. His vision is more real than Swinburne's, because he doesn't personify the sea, and far sounder than Joseph Conrad's, because Melville doesn't sentimentalize the ocean and the sea's unfortunates. Melville at his best invariably wrote from a sort of dreamself, so that events which he relates as actual fact have indeed a far deeper reference to his own soul, his own inner life. Melville was, at the core, a mystic and an idealist.
--
D. H. Lawrence in Studies in Classic American Literature.

 
Herman Melville

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Melville doesn't sentimentalize the ocean and the sea's unfortunates. Snivel in a wet hanky like Lord Jim.

 
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Nobody had more class than Melville. To do what he did in Moby-Dick, to tell a story and to risk putting so much material into it. If you could weigh a book, I don’t know any book that would be more full. It’s more full than War and Peace or The Brothers Karamazov. It has Saint Elmo’s fire, and great whales, and grand arguments between heroes, and secret passions. It risks wandering far, far out into the globe. Melville took on the whole world, saw it all in a vision, and risked everything in prose that sings. You have a sense from the very beginning that Melville had a vision in his mind of what this book was going to look like, and he trusted himself to follow it through all the way.

 
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On one meeting Melville showed Hawthorne a draft of Moby-Dick. Hawthorne, himself currently completing The Scarlet Letter, persuaded his friend to rework it from a tale of the high seas to an epic allegory that told not only a tale, but probed the defeats and triumphs of the human spirit. Melville delayed his submission to his publishers until it could meet Hawthorne's exacting standards. When it did, Hawthorne at last pronounced that the tragic tale was "cooked in hellfire." It was the praise Melville had sought.

 
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I've had my career. I've had my success. God willing, it should have happened to Herman Melville who deserved it a great deal more, you know? Imagine him being on Bill Moyers' show. Nothing good happened to Herman Melville.

 
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There has died and been buried in this city, during the current week, at an advanced age, a man who is so little known, even by name, to the generation now in the vigor of life that only one newspaper contained an obituary account of him, and this was but of three or four lines. Yet forty years ago the appearance of a new book by Herman Melville was esteemed a literary event, not only throughout his own country, but so far as the English-speaking race extended. To the ponderous and quarterly British reviews of that time, the author of Typee was about the most interesting of literary Americans, and men who made few exceptions to the British rule of not reading an American book not only made Melville one of them, but paid him the further compliment of discussing him as an unquestionable literary force. Yet when a visiting British writer a few years ago inquired at a gathering in New-York of distinctly literary Americans what had become of Herman Melville, not only was there not one among them who was able to tell him, but there was scarcely one among them who had ever heard of the man concerning whom he inquired, albeit that man was then living within a half mile of the place of the conversation. Years ago the books by which Melville's reputation had been made had long been out of print and out of demand.

 
Herman Melville
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