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Harry Chapin

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The major thing I'm afraid of is being 65 and saying, 'Gee, I wish I had done this and that, and that.' I want to face old age knowing I've tried all I wanted to try.
--
"Chapin Takes 'Taxi' Wherever He Can", Rolling Stone (July 6, 1972)

 
Harry Chapin

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In very other period of art history, the idea itself –the what – had been primary. Today (1961) the idea matters less than the way it is arrived at; it is the how that makes the work. This word brings us again face to face with the theme and its infinite variations. It is no longer a matter of knowing, of possessing the truth, but of approaching it.. ..knowing that the road is long, knowing that the road does not end, knowing that the road is the end in itself.

 
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My mother's favourite paraphrase is one known in our house as David's because it was the last he learned to repeat. It was also the last thing she read —
Art thou afraid his power shall fail When comes thy evil day? And can an all-creating arm Grow weary or decay?
I heard her voice gain strength as she read it, I saw her timid face take courage, but when came my evil day, then at the dawning, alas for me, I was afraid.

 
J. M. Barrie
 

So I wanted to say she's safe and sound. And for those of you who are still concerned, I saw her this morning for the last time — and her whole face here, which was ravaged and gone, seemingly, was not only healed — there was fur growing back on it. So, that is the end of the story of Has Wounds But Still Lives, and she's in earthly kitty heaven, which is having an owner that loves you to pieces and takes care of you. So — with that in mind, I wanted to thank everyone again. And so many wonderful things are happening all around me — and they don't need to happen to me. But to be given the grace to be a part of it, or to see it — especially to help — is the best thing I could ever have.

 
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Do not be afraid, Leon, — I feel much better; but in case anything should happen to me I wanted to leave you something to remember me by. Perhaps I ought not to say it so soon after my husband's death; but as I might die, I wanted to tell you now that I loved you very, very much.

 
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I tell you, if one wants to be active, one must not be afraid of going wrong, one must not be afraid of making mistakes now and then. Many people think that they will become good just by doing no harm — but that's a lie, and you yourself used to call it that. That way lies stagnation, mediocrity.
Just slap anything on when you see a blank canvas staring you in the face like some imbecile. You don't know how paralyzing that is, that stare of a blank canvas is, which says to the painter, You can't do a thing. The canvas has an idiotic stare and mesmerises some painters so much that they turn into idiots themselves. Many painters are afraid in front of the blank canvas, but the blank canvas is afraid of the real, passionate painter who dares and who has broken the spell of 'you can't' once and for all.
Life itself, too, is forever turning an infinitely vacant, dispiriting blank side towards man on which nothing appears, any more than it does on a blank canvas. But no matter how vacant and vain, how dead life may appear to be, the man of faith, of energy, of warmth, who knows something, will not be put off so easily. He wades in and does something and stays with it, in short, he violates, “defiles” — they say. Let them talk, those cold theologians.

 
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