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Halldor Laxness

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After further consideration, the herd of ponies had left off being frightened at all and had calmed down, and were now grazing in the home pastures, on the grass fields and gravel banks or in the home meadow close up to the farm. I stood at the window in that autumn light that makes the dead and the living more sharply discernible than the light of any other season. Yes, what a well-sculptured creature the pony is, so finely carved that even if there were no more than half a chisel stroke extra the workmanship would be ruined; that curve from neck to rump, and all the way down to the fetlock, is in actual fact a woman's curve; in the oblique-set eyes of these creatures lies buried a wisdom that is hidden from men but blended with the mockery of the idols; around the muzzle and the underlip hovers the smile that no cinema shark has ever been able to reproduce; and where is the female star who smells as wonderful as the nose of a pony?

 
Halldor Laxness

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When the peace of autumn has become poetic instead of being taken for granted, the last day of the plover become a matter of personal regret, the pony become associated with the history of art and mythology, the evening ice-film on the farm stream become reminiscent of crystal, and the smoke from the chimney become a message to us from those who discovered fire—then the time has come to say goodbye . . . I had long begun to count the days until I could once again leave home, where I felt an alien, and go out into the alien world, where I was at home. But still I paused for a while over my thoughts of departure, and listened to the silence that had robbed the gods of sleep; and dusk sank slowly over the ponies.

 
Halldor Laxness
 

The rugged old Norsemen spoke of death as Heimgang — home-going. So the snow-flowers go home when they melt and flow to the sea, and the rock-ferns, after unrolling their fronds to the light and beautifying the rocks, roll them up close again in the autumn and blend with the soil. Myriads of rejoicing living creatures, daily, hourly, perhaps every moment sink into death’s arms, dust to dust, spirit to spirit — waited on, watched over, noticed only by their Maker, each arriving at its own heaven-dealt destiny. All the merry dwellers of the trees and streams, and the myriad swarms of the air, called into life by the sunbeam of a summer morning, go home through death, wings folded perhaps in the last red rays of sunset of the day they were first tried. Trees towering in the sky, braving storms of centuries, flowers turning faces to the light for a single day or hour, having enjoyed their share of life’s feast — all alike pass on and away under the law of death and love. Yet all are our brothers and they enjoy life as we do, share heaven’s blessings with us, die and are buried in hallowed ground, come with us out of eternity and return into eternity. 'Our little lives are rounded with a sleep.'

 
John Muir
 

It's a smile a girl could bring home to mother, if she had a mother; a smile a girl could pet like a pony, sip like a lemonade, hum like a popular tune; a smile a girl would feel safe with in a dark alley.

 
Tom Robbins
 

One of the loveliest and most magnificent events that can happen in the country is when ponies take fright, particularly in a herd. A meadow-pippit has flown past. The ponies' fear is at first blended with play, even with mockery, amusement touched with a shudder, not unlike the behavior of the mentally ill. They trot as if they were retreating from a slow-moving stream of fire, but with lightning in every action, storm in every nerve; swinging their heads everywhere as if the front of their necks were made of elastic, gracefully flirting their tails. They can even pause for a moment, and start biting and boxing, with those romantic mating cries of theirs. Then all at once it is as if the fire has started flowing right under these strange creatures, they charge away like a storm incarnate over scree and bogs and landslides, dipping the tips of their toes for a fractional moment into the furnace that blazes beneath their hooves, cutting across waterfalls, gullys, and boulders, galloping steeply for a while until they stand trapped at last on some ledge high in the mountaintops, there to die and be eaten by birds.

 
Halldor Laxness
 

A thrown-stone trajectory is a good metaphor for so many phenomena: the curve of an event, any event; the curve of a life, any life; the curve of a hypothesis; the curve experienced in the manufacture of a work of art; the curve of interest experienced in the manufacture of a catalogue.

 
Peter Greenaway
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