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He had had such things said to him so many times that none of them had any freshness for him. Emma was like all his other mistresses; and as the charm of novelty gradually slipped from her like a piece of her clothing, he saw revealed in all its nakedness the eternal monotony of passion, which always assumes the same forms and always speaks the same language... Whereas the truth is that fullness of soul can sometimes overflow in utter vapidity of language, for none of us can ever express the exact measure of his needs or his thoughts or his sorrows; and human speech is like a cracked kettle on which we tap crude rhythms for bears to dance to, while we long to make music that will melt the stars.
--
Pt. II, Ch. XII

 

Gustave Flaubert

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To me, the body says what words cannot. I believe that dance was the first art. A philosopher has said that dance and architecture were the first arts. I believe that dance was first because it's gesture, it's communication. That doesn't mean it's telling a story, but it means it's communicating a feeling, a sensation to people.
Dance is the hidden language of the soul, of the body. And it's partly the language that we don't want to show.

 

Martha Graham

 

A philosophy like Hegel's is a self-revelation of the psychic background and, philosophically, a presumption. Psychologically it amounts to an invasion by the Unconscious. The peculiar, high-flown language Hegel uses bears out this view — it is reminiscent of the megalomaniac language of schizophrenics, who use terrific, spellbinding words to reduce the transcendent to subjective form, to give banalities the charm of novelty, or pass off commonplaces as searching wisdom. So bombastic a terminology is a symptom of weakness, ineptitude, and lack of substance.

 

Georg Wilhelm Friedrich Hegel

 

Are not the richest and most significant experiences of man precisely those which are the least patient of verbal reproduction? A book, a treatise, a discourse, is the very thing that cannot contain them, that can contain at most their lower elements, their less significant aspects. Who shall transfer them to paper, write them in ink, utter them in words? And yet, though inexpressible thus, these things crave expression, for they are full of meaning and must be expressed. They have a language of their own. Art can utter some of them, and Nature, perhaps, can interpret them all. They borrow her tongues, speaking in the winds, singing in the voice of moving waters, looking down upon us in the cold shining of the stars. What they mean, we, too, can express; but we express it, not by speaking there and then, but by all that we become through their influence, by all that we are led to do, through their compelling, till life shall end.

 

L. P. Jacks

 

Thou must be true thyself,
If thou the truth wouldst teach;
Thy soul must overflow, if thou
Another's soul would'st reach!
It needs the overflow of heart
To give the lips full speech.

 

Horatius Bonar

 

Language and the human spirit are inextricably intertwined. We interpret the world through language. We express ourselves through language. Language is powerful. Language can bring us together or set us apart. It can be used to include — to bridge barriers between cultures, religions, worldviews — at the same time as it can be used to exclude by inflaming xenophobia and racism. Language can establish community and solidarity at the same time as it can be used to erect boundaries and divide communities. More often than not, when we turn on the TV we see language used to occlude — to hide reality — to deceive, to spin, to distract, to disempower, to reinforce us versus them conceptions of humanity. Language is no longer innocent. We can no longer conceptualize language as some kind of neutral code that can be taught in classrooms in splendid isolation from its intersection with issues of power, identity, and spirituality.

 

Jim Cummins