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Georg Wilhelm Friedrich Hegel

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Poetry is the universal art of the spirit which has become free in itself and which is not tied down for its realization to external sensuous material; instead, it launches out exclusively in the inner space and the inner time of ideas and feelings.
--
Introduction to Aesthetics (1842), translated by T. M. Knox, (1979)

 
Georg Wilhelm Friedrich Hegel

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In time of the crises of the spirit, we are aware of all of need, our need for each other and our need for ourselves. We call up our fullness; we turn, and act. We begin to be aware of correspondences, of the acknowledgement in us of necessity, and of the lands.
And poetry, among all this — where is there a place for poetry?
If poetry as it comes to us through action were all we had, it would be very much. For the dense and crucial moments, spoken under the stress of realization, full-bodied and compelling in their imagery, arrive with music, with our many kinds of theatre, and in the great prose. If we had these only, we would be open to the same influences, however diluted and applied. For these ways in which poetry reaches past the barriers set up by our culture, reaching toward those who refuse it in essential presence, are various, many-meaning, and certainly — in this period — more acceptable. They stand in the same relation to poetry as applied science to pure science.

 
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So the Free Man is Free. Absolutely Free. Not just a little bit free. Not cut off from all of this. That's not the nature of His Freedom—humorlessness relative to the world still, non-pleasure still. No, in His Freedom He becomes capable of humor in life, capable of pleasure, or enjoyment, in the forms that are arising. That is the fullness of God-Realization. All of the humorless, pleasureless forms of experience that are often associated with God-Realization in the traditions are not God-Realization in Truth. (Sex, Laughter, and Real-God-Realization 1975)

 
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The universal nature has no external space; but the wondrous part of her art is that though she has circumscribed herself, everything which is within her which appears to decay and to grow old and to be useless she changes into herself, and again makes other new things from these very same, so that she requires neither substance from without nor wants a place into which she may cast that which decays. She is content then with her own space, and her own matter, and her own art.

 
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With its claims to profundity, boldness and originality, thinking still limits itself provisionally to the exclusively rational and scientific. ... As soon as it lays hold of the feelings, it becomes spirit.

 
Robert Musil
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