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One of those rare legendary figures who was as good as his myth.
--
David Halberstam in The Powers That Be

 

Edward R. Murrow

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Dream is personalized myth, myth is depersonalized dream; both myth and dream are symbolic in the same general way of the dynamics of the psyche. But in the dream the forms are quirked by the peculiar troubles of the dreamer, whereas in myth the problem and solutions shown are directly valid for all mankind.

 

Joseph Campbell

 

But the myth of power is, of course, a very powerful myth, and probably most people in this world more or less believe in it. It is a myth, which, if everybody believes in it, becomes to that extent self-validating. But it is still epistemological lunacy and leads inevitably to various sorts of disaster.

 

Gregory Bateson

 

Do you think it interests me that this painting represents two figures? These two figures existed, they exist no more. The sight of them gave me an initial emotion, little by little their real presence grew indistinct they became a fiction for me, then they disappeared, or rather, were turned into problems of all kinds. For me they are no longer two figures but shapes and colours, don’t misunderstand me, shapes and colours, though, that sum up the idea of the two figures and preserve the vibration of their existence.

 

Pablo Picasso

 

If dragons were common, and you could look at one in the zoo — but zebras were a rare legendary creature that had finally been decided to be mythical — then there's a certain sort of person who would ignore dragons, who would never bother to look at dragons, and chase after rumors of zebras. The grass is always greener on the other side of reality. Which is rather setting ourselves up for eternal disappointment, eh? If we cannot take joy in the merely real, our lives shall be empty indeed.

 

Eliezer Yudkowsky

 

It was not that the figure had been removed, not that the figures had been swept away, but the symbols for the figures, and in turn the shapes in the later canvases were substitutes for the figures.. ..these new shapes say.. ..what the symbols said. (Rothko, explaining Seitz his new way of painting during the mid-1940s)

 

Mark Rothko